WWW Wednesday—March 18, 2026

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Ancillary Justice by Ann Leckie Cover of The Spellshop by Sarah Beth Durst
Ancillary Justice
by Ann Leckie
The Spellshop
by Sarah Beth Durst, read by Caitlin Davies

I haven’t gotten very far (40 or so pages) into Leckie’s book, but there’s something interesting afoot. I just need to figure out what it is.

Yes, some of what I’ve heard makes me think that The Spellshop is too heavy on the romance for my taste. But at the same time, a lot of what I’ve heard makes me think the cozy fantasy is just what I need. So, let’s give it a shot, eh?

What did you recently finish reading?

Cover of City of Last Chances by Adrian Tchaikovsky Cover of Blind Date with a Werewolf by Patricia Briggs
City of Last Chances
by Adrian Tchaikovsky
Blind Date with a Werewolf
by Patricia Briggs, read by Holter Graham

There were so many things about City of Last Chances that were great and entertaining. But at least an equal amount that fell flat. And I’m not sure that all the good bits belonged in the same book. I’m really looking forward to the Book Club discussion next week to help me work through some of these things.

The premise for this book seems like a stretch—and while I enjoy Asil, I don’t know that I needed this much of him all at once. Still, it was a fun listen.

What do you think you’ll read next?

Cover of True Color by Kory Stamper Cover of Return to Sender by Craig Johnson
True Color: The Strange and Spectacular Quest to Define Color—from Azure to Zinc Pink
by Kory Stamper
Return to Sender
by Craig Johnson, read by George Guidall

I’m looking forward to learning a lot in this focused bit of word-nerdery from Stamper.

I think I could use a return to Longmire’s Wyoming. Might as well take a minute for it now.

What’s been grabbing your interest lately (or, I suppose, what’s been failing to?)?

Highlights from February: Lines Worth Repeating

Under a picture of someone highlighting lines in a book, the words: 'Highlights of the Month: Lines Worth Repeating'

Cover of The Rage of Dragons by Evan Winter

The Rage of Dragons by Evan Winter

Lekan was self-impressed, condescending, and the single best argument against making firstborns heirs to anything.

So your eyes are open. You see the world for what it is. Is it enough? The world as it is?”

Tau was frustrated and had been bold with his umgondisi. He tempered his answer and lowered his eyes, out of respect. “You know it isn’t,” he said, wanting to say much more.

“And perhaps it never will be. But, while we breathe, the best of us never stop trying to make it better, even if just by a little.”

I’ve been a soldier for most of my life and I’ve learned hard lessons. Fight for too long and you lose sight of the things you started the fight for. Fight for too long and you lose anyway.”

Tau sneered. “What then? Surrender? That’s your answer? Surrender, when the fight becomes hard?”

“No. Fight for what’s right, but never forget that fighting can also be done without violence. It can be done as it is now, with words, ideals, people seeking a better path, together.” Jayyed put his hands on Tau’s shoulders. “You can’t imagine a world where we work as hard at peace as we do at war?”


Cover of Vera Wong's Guide to Snooping (on a Dead Man) by Jesse Q. Sutanto

Vera Wong’s Guide to Snooping (on a Dead Man) by Jesse Q. Sutanto

Vera should be content. And she is, really. But she’s also kind of–dare she say it–bored. Sometimes, all an old lady wants is a murder to solve. Is that too much to ask for ?


Cover of Jump by DL Orton

Jump by DL Orton

“Love has a way of slipping in through the side door—usually while you’re fixing the hinges.”

“I’m fine.”

“Nobody’s fine,” I say. “We all fake it in shifts.”

“If I fake any harder, I’ll need a union break.”


Cover of Operation Bounce House by Matt Dinniman

Operation Bounce House by Matt Dinniman

But did they really deserve that? All of them? The soldiers, the gamers, yes. But what about the children? And the old folks who’d never done anything wrong? That was the problem with war. It was impossible to color within the lines.

What could they have possibly done for us? …We were a cause to them. And causes were these floating nebulous things that lived on screens and online forums. A ribbon one could put on their profile picture. They were something one could wear like a pair of sunglasses or a new jacket. A way to present themselves to the world. A way to say, “Look at my halo. Look at how much I care.”

I thought of my grandmother, and what she’d said that day she died. I didn’t understand it at the time, I was pretty sure I’d never understood it until just now. “The closer we are to the end, the more we need to embrace our happiness.”


Cover of Banners of Wrath by Michael Michel

Banners of Wrath by Michael Michel

“Governance is a lot of hard decisions and cold food. In the end, you sacrifice such comforts in the hope that all the hard work amounts to something. Riches and power are one type of freedom. A warm meal and an hour undisturbed, another, more desperate kind…Never forget, we work to ensure the mantle of rule remains in the hands of those who appreciate the latter kind of freedom.”

“I—I can’t.” He wrung his hands together. “You fight them. You have Darkhorn. I’m just a kid. ”

“We’re all kids at first, and then one day we aren’t. We look around and find it is we who must fight. We who must do what others are too afraid to do, because if we don’t the good of this world slips through our fingers until there’s nothing left but the ashes and dried blood of the innocent.”

Death may be the price of warriors, but grief is the price of the ones they leave behind.

Barodane scratched his beard. In the month and weeks it had taken them to voyage across the turgid waters of the Sea Forest, he’d given up shaving. Any man who held a knife that close to an artery with the sea bucking underfoot was either mad or so dumb they deserved to die.

“Tyrants oft arrive in velvet slippers but they always leave in iron-shod boots.”

Hate made an odd bedfellow for love. Nevertheless, the motto brought peace to her heart. It was like cleaning a pot before cooking in it. If she didn’t do the dirty work of scrubbing first, whatever rotten or molding thing that had been there would soil the next.

All she desired were clean memories. Stainless images of love.

“Old women like me need plenty of rest. Sleep though…” Thruna tapped a fingertip against her own temple. “Brain knows the next nap could be the last, so it keeps me vigilant.

It wasn’t ideal, but so few things in life were. For as long as he could remember, he’d been trying to force that truth to be different, stepping over a passing moment of joy to hunt the great mythical beast of happiness.

And missing it. Missing it every time.

Regret, he decided, was the greatest curse of man and the cruelest gift of the gods.

“You are here to make trouble?”

“No, sir. No trouble.”

The taller guard arched an eyebrow. “You reek of trouble.”

“So my mother used to say.” Hymobi raised a palm. “I assure you, that smell is merely my armpits. Nothing a bath won’t cure.”


Cover of First Do No Harm by S. J. Rozan

First Do No Harm by S. J. Rozan

…the question becomes—”

“What was O’Brien hiding?” I finished.

“Took the words—”

“Right out of your mouth.”

“Do you think he was—” Bill stopped but I didn’t pick it up. “Hey, I thought you were reading my mind.”

“I left. It was dark and spooky in there.”

“I thought this was a hospital. I thought everyone was in the business of saving lives, not their own butts.”

“In the business,” Elliott said. “Start from there.”


Cover of Big Shot by Christopher Farnsworth

Robert B. Parker’s Big Shot by Christopher Farnsworth

Hanrahan blinked twice at Jesse. He didn’t get the joke. Or pretended not to. A lot of people reacted that way to Jesse’s sense of humor.

Molly would have told him that was a sign he wasn’t all that funny, but Jesse didn’t really tell his jokes for any outside audience.


Cover of Nine Goblins by T. Kingfisher

Nine Goblins: A Tale of Low Fantasy and High Mischief by T. Kingfisher

Algol wasnt a bad sort, really. He was bigger than usual for a goblin, a whopping four foot ten, with broad, knotty shoulders and enormous feet. He had the ocher-gray skin of a hill goblin, and he wasnt all that bright—but then, he was a goblin officer.

Smart goblins became mechanics. Dim goblins became soldiers, Really dim goblins became officers.

His clothes were odd. Elves usually looked immaculate. It was how you could tell chey were elves. You could cut an elf’s leg off, and he would contrive to make it look as if two legs were unfashionable. Elves were just like that. It was one of their more annoying traits.

Goblin tea resembles a nice cup of Earl Grey in much the same way that a catfish resembles the common tabby. They share a name, but one is a nice thing to curl up with on a rainy afternoon, and the other is found in the muck at the bottom of polluted rivers and has bits of debris sticking to it.

There were cattle in the town square. Some of the humans had died when the cattle crushed them. It was a mess, a horrible mess, which was a laughably ineffective word for the scene before them.

At least if she thought of it as mess, she didn’t have to think of it as people.


Cover of Every Day I Read by Hwang Bo-reum

Every Day I Read: 53 Ways to Get Closer to Books by Hwang Bo-reum, translated by Shanna Tan

Just as how the seaman finds a barrel to save himself in the rough seas, I keep myself afloat with stories. Books may not solve all my problems, but at least they prevent me from sinking into the abyss.

There are how-to books out there introducing ‘hacks’ to increase reading speed, and when we’ve just made up our minds to get into the habit of reading, it’s easy to fall into the impatience of wanting to read quickly and read more. But reading is about understanding the world and ourselves, not finishing as many books as possible. We aren’t reading to become faster, but to feel and understand more.


Cover of The Long Way to a Small, Angry Planet by Becky Chambers

The Long Way to a Small, Angry Planet by Becky Chambers

“I have never understood potatoes,” Sissix said. “The whole point of a potato is to cover it with salt so you don’t notice how bland it is. Why not just get a salt lick and skip the potato?”

Sethi was a quiet place. Out of the way. Modestly prosperous. Uncomplicated. No gaming hubs or prefab stores. There wasn’t even a real shuttle dock, just a wide, unattended area suitable for landing small spacecraft and supply drones. Looking around, Rosemary understood why a young adult would want to leave such a place, and why an elder would want to come back.

Jenks knew a thing or two about time. It was hard to be a tunneler and not pick up some of the basics. Time was a malleable thing, not the measured click that clocks would have you believe. Whenever the ship punched, Ohan had to be sure they came back out in the right time, as if it were all mapped out backward and forward and side to side, an infinite number of stories that had already been written. Time could crawl, it could fly, it could amble. Time was a slippery thing. It couldn’t be defined. And yet, somehow, he knew with absolute certainty that this was the longest ten minutes of his life.


(Image by DaModernDaVinci from Pixabay)

PUB DAY REPOST: Stakeouts and Strollers by Rob Phillips: Girl Dad, P.I.

Cover of Stakeouts and Strollers by Rob PhillipsStakeouts and Strollers

by Rob Phillips

DETAILS:
Publisher: Minotaur Books
Publication Date: March 17, 2026
Format: eARC
Length: 336 pg.
Read Date: March 2-6, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Stakeouts and Strollers About?

Charlie Shaw, a former investigative reporter, is now a rookie P.I. His boss has him working low-risk cases as he learns the job—and because he’s a new dad. Charlie is besotted with his little girl, Callie. So much so that he does things like wear down his phone battery enough watching her on the monitor so he doesn’t have enough power to take the photos he needs to document his target’s affair.

Soon after, he’s back on the case and tracks the woman to the home of the man she’s having an affair with. Beyond getting the photos he needs to satisfy the client, two significant things happen.

First, he runs into a teenage girl who is seemingly trying to follow the same person. Secondly, he witnesses the man his target was seeing get beaten by a large man and acts to help him.

My summary is getting convoluted—that’s on me, not Phillips. Charlie tracks down the girl—Friday Finley—who didn’t turn out to have anything to do with anyone that was at the scene he met her at. She’s actually trying to track down her father, who ghosted her and her mother years ago, and is now seemingly tied to some criminals working out of a dive bar.

Charlie’s between jobs, thanks to getting the incriminating photos, so he can help Friday track down her dad. This is where things get complicated and dangerous.

Why did I pick this up? Why did I keep reading?

The cover and title caught my eye, and the premise sold me.

I kept reading because Phillips’ text is smooth and engaging, and Charlie is one of those narrators that you can’t help but like immediately, so you want to see how things turn out for him. And I can’t imagine how a reader can’t want to know what happens next for Friday once they’ve met her.

Basically, everything about the book made me want to keep going.

What does this book tell us about humanity?

The big through-line with this book is family. Sometimes we’re talking about found families, but most of this is blood family.

Some of the families are dysfunctional, some are loving and supportive, some are still figuring themselves out, some are falling apart—but this novel is just littered with families. It’s the key to practically every motivation, decision, and goal for these characters.

Family is something many of us take for granted, at least one we can undervalue, given whatever day/stage of life we’re in. But seeing these characters do all these various and sundry things because of family rings so true. When X is doing Y for reason Z, it’s easy to dismiss Z as folly or greed. But as soon as it becomes “for reason Z and family,” both the character X and the action Y become relatable, understandable, and possibly even sympathetic.

This is on just about every page of this novel, and more than any other reason, it’s what grounds this work and draws you in.

So, what did I think about Stakeouts and Strollers?

This is just fun—Charlie’s got all the makings of a decent fictional PI, but Callie is a big distraction for him. Which makes you like him all the more—he’s such a girl dad. When it comes to Friday, he assumes a role between paternal and big brother.

A book that starts with a P.I.’s phone battery dying because he’s watching his daughter starts off with a certain tone—mildly comedic and light. Sure, there are legitimately tense and violent scenes (nothing that couldn’t show up on Prime Time TV), but the book retains that lightness. It’s practically wholesome—particularly any scene that features Charlie’s family.

The investigation itself is full of a bunch of great turns. And Charlie’s investigative chops are pretty evident.

I don’t know if this is the beginning of a series or just a fun one-off. Either way, it’s a satisfying time, and I recommend you pick it up. I’d enjoy watching little Callie grow while her dad tackles more cases. But if this is it, I can imagine that happening anyway. I expect I won’t be alone in hoping we get to see the family again.

Disclaimer: I received this eARC from St. Martin’s Press & Minotaur Books via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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PUB DAY REPOST: Black Bag by Luke Kennard: Funny and Surreal

I tried to come up with a punny post title about the novel carrying a lot, like a bag. Just didn’t work.


Cover of Black Bag by Luke KennardBlack Bag

by Luke Kennard

DETAILS: 
Publisher: Zando
Publication Date: March 17, 2026
Format: eARC
Length: 352 pg.
Read Date: March 7-11, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Black Bag About?

A struggling character actor (who seems to primarily pay the bills with dinner theater gigs) receives an unusual offer—a local university professor wants to hire him as part of an experiment. He is to attend three class sessions a week wearing a large black satchel—only his lower legs and feet are to be visible. He is to not interact with anyone—no speaking, no gesturing, no reacting to anything while on campus.

In exchange, Black Bag gets a roll of cash each week.

Easy enough, right? But it’s harder to not interact with other people than our actor realizes. And while this inspires him to look for other atypical roles, they’re not that easy to get (and he’s not that sure he wants them). His childhood friend—a game streamer—starts to see ways to monetize Black Bag (I’m not saying his friend’s hallucinogen use inspires these ideas, but I’m not saying they don’t). Also, another professor starts to take an interest in Black Bag for their own purposes.

So, what did I think about Black Bag?

Let me start by saying that the opening paragraphs to this are among my favorite in the last year or so—the rest of the book is worth the time, too.

Beyond that…I’m finding it difficult to really talk about what the novel seems to want to talk about without talking about events and things said in the last 10-20% of the book. I’m not sure how important it is to avoid plot points when discussing this particular novel, because the plot seems tertiary (at best) for Black Bag, but I have an aversion to doing that.

I’m not entirely convinced that Kennard has an agenda that he’s trying to push—and if he does, he’s certainly not leading anyone by horns to it—but he wants the reader to think about certain ideas/themes. Some prominent ones (I won’t try to be exhaustive here, I’d fail) are: the place of art in society and how it should try to shape discourse; the intensity of online communities—and how fragile they are; sex without emotional attachment; monetization of personal details online; post-humanism; academic politics; contemporary expressions of masculinity—and the various movements cropping up to address the “crisis” of it; the need for attachment to others.

If the plot is tertiary, the themes and issues in focus are definitely primary. I think the characters are, too. At times—and even now—I’m tempted to see the characters as flat, merely placeholders for Kennard to attach arguments/points of view on. Arguably, this is a valid reading. But each of the characters is more than that—they’re all fairly well-drawn, and the depth of each one is seen in the way they react to and interact with Black Bag. Just as Dr. Blend intended.

Do they project their desire for a get-rich-quick scheme onto it? Or perhaps they see it as a tool for sexual pleasure. One student sees the bag as a solid point to discuss the class with (at?) in place of the erratic professor. And then there’s the narrator himself, at times in danger of becoming more than Black Bag—detached from humanity, his career, his reality—losing himself to fantasy during the lectures, observing those around him, doing little more than noting their reactions to him. The more we consider how the characters respond to Black Bag, the more we see about them. And, breaking the fourth wall (the narrator does this himself, inviting the reader to do the same), the way the reader reacts to Black Bag at various points of the novel reveals something about ourselves, too.

The narration itself is deceptively breezy and light. It is possible to lose yourself in the pacing and ease of the narrator’s conversational address to the reader and gloss over details—inherently, this is a strength. It would be very easy for this book to fall over under the weight of its own pretensions, but Kennard protects it from that. It keeps the reader engaged and entertained—Black Bag is frequently funny, both in how he bumbles through life and how he describes that to the reader.

I also find myself asking at this point, how would I react to the novel on a re-read? Knowing where all of this is happening, what meaning that Black Bag finds (for example) in the experiment, how would I react to him at the beginning, and in his early sessions. As a thought experiment, I’m getting nowhere—but I can’t stop wondering.

Surreal and absurd in the best way, full of challenging ideas, and brought to life through a very oddball collection of characters, Black Bag is a novel you won’t soon forget (nor will you want to).

Disclaimer: I received this eARC from Zando Projects via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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MUSIC MONDAY: “Your Nonsense Makes Sense” by The 502s

The Irresponsible Reader's Music Monday logo

Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

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Stakeouts and Strollers by Rob Phillips: Girl Dad, P.I.

Cover of Stakeouts and Strollers by Rob PhillipsStakeouts and Strollers

by Rob Phillips

DETAILS:
Publisher: Minotaur Books
Publication Date: March 17, 2026
Format: eARC
Length: 336 pg.
Read Date: March 2-6, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Stakeouts and Strollers About?

Charlie Shaw, a former investigative reporter, is now a rookie P.I. His boss has him working low-risk cases as he learns the job—and because he’s a new dad. Charlie is besotted with his little girl, Callie. So much so that he does things like wear down his phone battery enough watching her on the monitor so he doesn’t have enough power to take the photos he needs to document his target’s affair.

Soon after, he’s back on the case and tracks the woman to the home of the man she’s having an affair with. Beyond getting the photos he needs to satisfy the client, two significant things happen.

First, he runs into a teenage girl who is seemingly trying to follow the same person. Secondly, he witnesses the man his target was seeing get beaten by a large man and acts to help him.

My summary is getting convoluted—that’s on me, not Phillips. Charlie tracks down the girl—Friday Finley—who didn’t turn out to have anything to do with anyone that was at the scene he met her at. She’s actually trying to track down her father, who ghosted her and her mother years ago, and is now seemingly tied to some criminals working out of a dive bar.

Charlie’s between jobs, thanks to getting the incriminating photos, so he can help Friday track down her dad. This is where things get complicated and dangerous.

Why did I pick this up? Why did I keep reading?

The cover and title caught my eye, and the premise sold me.

I kept reading because Phillips’ text is smooth and engaging, and Charlie is one of those narrators that you can’t help but like immediately, so you want to see how things turn out for him. And I can’t imagine how a reader can’t want to know what happens next for Friday once they’ve met her.

Basically, everything about the book made me want to keep going.

What does this book tell us about humanity?

The big through-line with this book is family. Sometimes we’re talking about found families, but most of this is blood family.

Some of the families are dysfunctional, some are loving and supportive, some are still figuring themselves out, some are falling apart—but this novel is just littered with families. It’s the key to practically every motivation, decision, and goal for these characters.

Family is something many of us take for granted, at least one we can undervalue, given whatever day/stage of life we’re in. But seeing these characters do all these various and sundry things because of family rings so true. When X is doing Y for reason Z, it’s easy to dismiss Z as folly or greed. But as soon as it becomes “for reason Z and family,” both the character X and the action Y become relatable, understandable, and possibly even sympathetic.

This is on just about every page of this novel, and more than any other reason, it’s what grounds this work and draws you in.

So, what did I think about Stakeouts and Strollers?

This is just fun—Charlie’s got all the makings of a decent fictional PI, but Callie is a big distraction for him. Which makes you like him all the more—he’s such a girl dad. When it comes to Friday, he assumes a role between paternal and big brother.

A book that starts with a P.I.’s phone battery dying because he’s watching his daughter starts off with a certain tone—mildly comedic and light. Sure, there are legitimately tense and violent scenes (nothing that couldn’t show up on Prime Time TV), but the book retains that lightness. It’s practically wholesome—particularly any scene that features Charlie’s family.

The investigation itself is full of a bunch of great turns. And Charlie’s investigative chops are pretty evident.

I don’t know if this is the beginning of a series or just a fun one-off. Either way, it’s a satisfying time, and I recommend you pick it up. I’d enjoy watching little Callie grow while her dad tackles more cases. But if this is it, I can imagine that happening anyway. I expect I won’t be alone in hoping we get to see the family again.

Disclaimer: I received this eARC from St. Martin’s Press & Minotaur Books via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Saturday Miscellany—3/14/26

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet I don’t think I noticed last October when Southern Living named its 50 Books From The Past 50 Years Everyone Should Read At Least Once—an impressive and daunting list, to be sure. But I did notice that Books of Brilliance talked about that list this week: Southern Living’s 50 Best Books of the Past 50 Years: The Novels That Defined Modern Literature
bullet Why Motive Matters Even More than Truth in Crime Fiction:
Nadine Matheson mulls how to create narrative satisfaction rather than random violence
—Matheson nails this
bullet Acclaimed crime fiction writer M. W. Craven on upcoming TV adaptation —a good interview about upcoming adaptations, his MG James Bond series, and more.
bullet Popular Book Genres Seen as “Easy Reading”—a typically thoughtful post from Briana at Pages Unbound.

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet The Conversation with Nadine Matheson Coffee Break with Neil Lancaster: The Dark Heart—a fun chat.
bullet In Person With Paul Neil Lancaster—a more serious and wide-ranging conversation (that includes several great recommendations)

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet I had a light posting week due to running around getting things like fingerprints and drug tests for a then new job. But I did mention the releases of Fire Touched by Patricia Briggs; Stop the Presses! by Robert Goldsborough; The Stone Bearer by Jacque Stevens

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Butterfly Effects by Seanan McGuire—Nunc hoc in marmore non est incisum I tried to express my enthusiasm for it earlier this week.
bullet The Shadow Carver by Nadine Matheson—DI Henley is on the hunt for another grizly serial killer
bullet The Dark Heart by Neil Lancaster—As you probably guessed from the above, Lancaster has a new book out. This time DS Craigie tangles with some spies.
bullet The Best Dog in the World: Essays on Love edited by Alice Hoffman—”Fourteen beloved authors celebrate the life-changing bond with their canine companions in this heartwarming essay collection.” Something tells me that a Kleenex or eight on-hand would be a good idea.
bullet The Most Dangerous Pet Shop by Paul Regnier—”On the night of his thirteenth birthday, Tristin is pulled through an enchanted mirror into a medieval fantasy realm with no way home. Stranded in the magical town of Springhaven, the fate of his family’s otherworldly pet shop is in his hands. But dealing with snapping dragons, talking animals, and mischievous pixies is a lot to handle.”
bullet This Story Might Save Your Life by Tiffany Crum—”Best friends Benny and Joy like to say they’ve been saving each other’s lives since the moment they met. Until the day Joy disappears and Benny is suspected of murder . . .” Check out the review over at Before We Go Blog.
bullet Nobody’s Baby by Olivia Waite—A cozy sci-fi mystery novella set on an interstellar passage liner. This is the second in a series, but looks so good I’m getting my hands on the first one!
bullet Magic and Mischief at the Wayside Hotel by Elizabeth Everett—”When a magical hotel appears smack-dab in the middle of the most unmagical of worlds, the last thing the residents expect is to fall in love.”
bullet The First Step by Tao Wong—”In a spectacular world of immortals, spirit beasts, and mystical martial arts, the young farmer Wu Ying’s life will be changed forever when he is unexpectedly invited to join an elite school of cultivation.”

@SparkNotes Once again reminding you all that the Ides of March is a scam holiday invented by Big Dagger to sell more daggers

Black Bag by Luke Kennard: Funny and Surreal

I tried to come up with a punny post title about the novel carrying a lot, like a bag. Just didn’t work.


Cover of Black Bag by Luke KennardBlack Bag

by Luke Kennard

DETAILS: 
Publisher: Zando
Publication Date: March 17, 2026
Format: eARC
Length: 352 pg.
Read Date: March 7-11, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Black Bag About?

A struggling character actor (who seems to primarily pay the bills with dinner theater gigs) receives an unusual offer—a local university professor wants to hire him as part of an experiment. He is to attend three class sessions a week wearing a large black satchel—only his lower legs and feet are to be visible. He is to not interact with anyone—no speaking, no gesturing, no reacting to anything while on campus.

In exchange, Black Bag gets a roll of cash each week.

Easy enough, right? But it’s harder to not interact with other people than our actor realizes. And while this inspires him to look for other atypical roles, they’re not that easy to get (and he’s not that sure he wants them). His childhood friend—a game streamer—starts to see ways to monetize Black Bag (I’m not saying his friend’s hallucinogen use inspires these ideas, but I’m not saying they don’t). Also, another professor starts to take an interest in Black Bag for their own purposes.

So, what did I think about Black Bag?

Let me start by saying that the opening paragraphs to this are among my favorite in the last year or so—the rest of the book is worth the time, too.

Beyond that…I’m finding it difficult to really talk about what the novel seems to want to talk about without talking about events and things said in the last 10-20% of the book. I’m not sure how important it is to avoid plot points when discussing this particular novel, because the plot seems tertiary (at best) for Black Bag, but I have an aversion to doing that.

I’m not entirely convinced that Kennard has an agenda that he’s trying to push—and if he does, he’s certainly not leading anyone by horns to it—but he wants the reader to think about certain ideas/themes. Some prominent ones (I won’t try to be exhaustive here, I’d fail) are: the place of art in society and how it should try to shape discourse; the intensity of online communities—and how fragile they are; sex without emotional attachment; monetization of personal details online; post-humanism; academic politics; contemporary expressions of masculinity—and the various movements cropping up to address the “crisis” of it; the need for attachment to others.

If the plot is tertiary, the themes and issues in focus are definitely primary. I think the characters are, too. At times—and even now—I’m tempted to see the characters as flat, merely placeholders for Kennard to attach arguments/points of view on. Arguably, this is a valid reading. But each of the characters is more than that—they’re all fairly well-drawn, and the depth of each one is seen in the way they react to and interact with Black Bag. Just as Dr. Blend intended.

Do they project their desire for a get-rich-quick scheme onto it? Or perhaps they see it as a tool for sexual pleasure. One student sees the bag as a solid point to discuss the class with (at?) in place of the erratic professor. And then there’s the narrator himself, at times in danger of becoming more than Black Bag—detached from humanity, his career, his reality—losing himself to fantasy during the lectures, observing those around him, doing little more than noting their reactions to him. The more we consider how the characters respond to Black Bag, the more we see about them. And, breaking the fourth wall (the narrator does this himself, inviting the reader to do the same), the way the reader reacts to Black Bag at various points of the novel reveals something about ourselves, too.

The narration itself is deceptively breezy and light. It is possible to lose yourself in the pacing and ease of the narrator’s conversational address to the reader and gloss over details—inherently, this is a strength. It would be very easy for this book to fall over under the weight of its own pretensions, but Kennard protects it from that. It keeps the reader engaged and entertained—Black Bag is frequently funny, both in how he bumbles through life and how he describes that to the reader.

I also find myself asking at this point, how would I react to the novel on a re-read? Knowing where all of this is happening, what meaning that Black Bag finds (for example) in the experiment, how would I react to him at the beginning, and in his early sessions. As a thought experiment, I’m getting nowhere—but I can’t stop wondering.

Surreal and absurd in the best way, full of challenging ideas, and brought to life through a very oddball collection of characters, Black Bag is a novel you won’t soon forget (nor will you want to).

Disclaimer: I received this eARC from Zando Projects via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday—March 10, 2026

No post from me last week–I was probably asleep. I also took most of the week off from books, so I wouldn’t have had anything to say. But I’m over the flu now and back.

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Black Bag by Luke Kennard Cover of Rabbit Cake by Annie Hartnett
Black Bag
by Luke Kennard
Rabbit Cake
by Annie Hartnett, read by Katie Schorr

Black Bag is very likely going to be the oddest book I read this year. It’s making me think a lot, too. So…don’t take odd as a criticism/complaint. I should finish this today and to say that I have no idea what the last 25 percent is going to hold is putting it mildly.

I forgot my headphones at home yesterday, so I didn’t get any time with Rabbit Cake, I’m looking forward to getting back to it today.

What did you recently finish reading?

Cover of Stakeouts and Strollers by Rob Phillips Cover of Head Fake by Scott Gordon
Stakeouts and Strollers
by Rob Phillips
Head Fake
by Scott Gordon, read by Nick Mondelli

I’ll hopefully have a full post about Phillips’ book up tomorrow–short version, this is a completely pleasant and warm mystery featuring a girl-dad, while not being at all cozy.

Head Fake is going to be one of those books I’m talking about at the end of the year. It’s a funny and heartwarming book filled with broken people.

What do you think you’ll read next?

Cover of Ancillary Justice by Ann Leckie Cover of The Cyclist by Tim Sullivan
Ancillary Justice
by Ann Leckie
The Cyclist
by Tim Sullivan, read by John Heffernan

After Kennard gets done messing with my head, I should benefit from running into some epic SF. Don’t let me down, Leckie!

I’m trying to keep my expectations in the right place for The Cyclist, but it’s hard after the way the first book in the series wowed me.

What’ve you been reading lately?

Butterfly Effects by Seanan McGuire: The Johrlac vs. Sarah

Cover of Butterfly Effects by Seanan McGuireButterfly Effects

by Seanan McGuire

DETAILS:
Series: InCryptid, #15
Publisher: Tor Books
Publication Date: March 10, 2026
Format: eARC
Length: 432 pg.
Read Date: February 23-24, 2026
Buy from Bookshop.org Support Indie Bookstores

Huh. Didn’t see that coming.

The InCryptid series is really a series of small arcs featuring a particular narrator before we move on to the next. Back in 2020 and 2021, we got an arc featuring Sarah Zellaby. Then we moved on to a pair of books focusing on Alice and then two on Aunt Mary.

But whoops–we’re not actually done with Sarah’s arc. It wasn’t a duology after all; it was a trilogy, and McGuire’s back to tie everything up.

I didn’t think we needed that. But now I see how much we did and how the series as a whole is better for it.

So, What is Butterfly Effects About?

So, we’d learned in Sarah’s books that the Johrlac on Earth (and in the wake of destruction they’d left behind) aren’t Johrlac-proper, they’re a bunch who’d been ejected from their home world for being as awful as we’d thought. These cuckoos were practically a separate species at this point, and most of what people on Earth knew about the cuckoos or Johrlac was horribly wrong.

And basically, everyone had moved on–it didn’t matter anymore, because there were only a handful left on Earth and Sarah had removed the ticking genetic time-bombs from them.

Except…the Johrlac are a really uptight bunch and once they saw what Sarah had done, they came to Earth and arrested her to be tried for crimes against Johrlac law. They also kidnapped Arthur to be used as State’s Exhibit A in the show trial, right out of the Edo of Rubicun III vs. Wesley Crusher on “Justice.”

Back on Earth, Annie and Alice get word of this, so they grab Thomas and use some of Alice’s remaining travel spells and inter-dimensional know-how to launch a rescue mission (and Sam insists on coming along).

And things get interesting from there…

We Sing It Anyway

I almost never discuss the novellas packaged with McGuire novels–and I’m not going to do that this time, either. Primarily because it’s solely “here’s what happens because of the novels conclusion next.” So to really talk about it would be to talk about the last half-chapter of the novel in detail.

So why am I talking about it at all? Just because I’m sure some readers are like me and don’t always read the novellas. Don’t skip this one. Trust me.

Why did I pick this up? Why did I keep reading?

I grabbed this because I’ve been on board for this series since the beginning.

Why did I keep reading? Pretty much everything I have said–or am about to say–about the book. I wasn’t prepared for McGuire to revisit this storyline, and I enjoyed getting to see what she was up to. I thought the world of the Johrlac was utterly fascinating–and watching the chaos that follows Annie, Sarah, and Alice as they interact with it was as entertaining as it could be.

What does this book tell us about humanity?

That’s the tricky thing, isn’t it? Given this series, I’m going to have to broaden this idea to “people” or “persons.” Also, a good part of it is about just how non-human some of these people can be.

Yet there’s something that humans and other non-human species can relate to in the middle of all the otherness.

(also, McGuire’s a human and all of her species are going to reflect that in some way, it can’t be helped)

The culture of the Johrlac is all about the collective–but there are several individuals expressing themselves (and we can assume some others we don’t encounter) in various and sundry ways. Most of these individual expressions are small–insignificant, really. But you get enough insignificant acts, and something noticeable can happen.

That’s one of the main things this book is about. While collectives–like both the Johrlac or the Price-Healys–are important, and together can accomplish great feats. It’s the individuals involved in them, and their interests and strengths, that make the collectives powerful.

So, what did I think about Butterfly Effects?

This is one of the better books in this series lately. I do worry that we’re becoming too dependent on the Annie/Sam/Alice/Thomas antics to the detriment of the others. But also? I don’t care, because I like Annie/Sam/Alice/Thomas, and everyone else is busy raising kids, so I prefer them out of danger.

The story took a lot of twists and turns that keep you on your toes. Not just on your toes, either, there are a few outright surprises. Some of those surprises come from the fact that the main action of this novel isn’t on Earth, and our friends don’t have to pull their punches so they can stay under the radar. Annie and her fire can do a whole lot when given the chance.

But this isn’t all danger, twists, and fire–there’s a lot of fun to be had on this alien world. It’s so strange that you just can’t help but have fun.

Action, heart, and plenty of smiles. This series shines brightest when McGuire brings these elements to the forefront. Butterfly Effects is proof of that.

Disclaimer: I received this eARC from Tor Publishing Group via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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