Grandpappy’s Corner: School’s First Day of School by Adam Rex, Christian Robinson (Illustrator): It’s That Time of Year

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School’s First Day of School

by Adam Rex, Christian Robinson (Illustrator)

DETAILS:
Publisher: Roaring Brook Press
Publication Date: June 28, 2016
Format: Hardcover
Length: 40 pg.
Read Date: July 30, 2026
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What’s School’s First Day of School About?

Anthropomorphizing everyday objects or animals is a pretty standard thing in Children’s Books and Picture Books. But it’s not often that we get a whole building depicted this way. (at least from what I recall) If you’re going to do it, why not do it with a school?

Which is what Adam Rex does here–this building, Frederick Douglass Elementary, to be specific–is freshly constructed and eager to open up. It’s a little nervous, too. Thankfully, it’s befriended a custodian who calms it down and assures it about what’s going to happen.

Like many children, the school is excited to start the first day, but it doesn’t go like it expected and nerves start to rule the day. The custodian steps in and helps out again–and by the end, the school is ready for Day Two.

Let’s Talk about the Art for a Minute

Robinson’s pictures are painted–which I always appreciate. They’re just detailed enough to keep the attention and conversation going. There’s a solid, comforting emotion that comes through.

Everything seems juuuust slightly skewed–like 2-3 degrees off from being at 90-degree corners. (I didn’t set a protractor on the page, however). Which works–and I had to stare at a couple of pictures and the cover before it dawned on me. Which also means I could be out to lunch on that observation. Whatever it was that I’m seeing adds some life and movement to the pictures–like a school day, nothing is static on the page.

How is it to Read Aloud?

It’s not a rhyming tongue-twister, which is nice–so you can focus on the text and pointing out/talking about the details in Robinson’s pictures.

So, what did I think about School’s First Day of School?

How relatable is this for the audience? You’re nervous about school (or day care or preschool), guess what? You’re not alone! Even the building feels this way! What student doesn’t want to hear that? And then the school models for the child how to think about the day and be ready for the next. It’s fun, and it’s helpful.

Which sounds pretty good for a Picture book.

Especially this time of year.

School’s First Day of School is cute, imaginative, and easily relatable. Basically, it’s a winner.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday—August 19, 2026

There’s no movement at all on the audiobook’s listed last week and today. Which irks me a litte bit–for no clear reason. Hopefully that’s taken care of by the 26th.

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This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of The Last Rift Dragon by Shami Stovall Cover of Parks and Rec by Jennifer Keishin Armstrong Cover of The Dungeon Anarchist's Cookbook by Matt Dinniman
The Last Rift Dragon
by Shami Stovall
Parks and Rec: The Underdog TV Show That Lit’rally Inspired a Vision for a Better America
by Jennifer Keishin Armstrong
The Dungeon Anarchist’s Cookbook
by Matt Dinniman, read by Jeff Hays

Without realizing it, I tore through the first 52% of The Last Rift Dragon yesterday. I’m more than eager to see what’s next, I’m already hoping for a sequel, and I’m not sure I want the book to end as quickly as I think it will.

I’m having fun with Armstrong’s book, but oddly enough, I think I chuckled more reading What’s Next. Still, it’s a strong book.

I’ll likely finish the third Dungeon Crawler Carl book today–some of what Dinniman has done in this book…wow. And a lot of what Hays has done…wow again.

What did you recently finish reading?

Cover of Cold Iron Task by James J. Butcher Cover of Good Eggs by Rebecca Hardiman
Cold Iron Task
by James J. Butcher
Good Eggs
by Rebecca Hardiman, read by Alana Kerr Collins, Gary Furlong & Siobhan Waring

Good gravy, how’re things getting worse for our protagonists in each book of the series. Can’t they get a win sometime?

I’m taking so long with The Dungeon Anarchist’s Cookbook is still the most recent audiobook I finished.

What do you think you’ll read next?

Cover of Wool by Hugh Howey Cover of Ms. Mebel Goes Back to the Chopping Block by Jesse Q. Sutanto
Wool
by Hugh Howey
Ms. Mebel Goes Back to the Chopping Block
by Jesse Q. Sutanto, read by Eunice Wong

I know very little about Wool–it’s some sort of runaway dystopian hit that started off life as a self-published work and then got picked up by a traditional publisher. Between the title Wool and the fact that AppleTV’s adaptation is called Silo I halfway assume there’s some sort of agricultural bent to it. But I’m pretty sure that’s a mistake on my part

As I said above, the newest Sutanto is still next. I don’t have a lot of time to get through it before it’s due, so hopefully work cooperates with me.

How’s your reading going?

Reposting Just Cuz: HC Chats with Adrian M. Gibson about Jeff VanderMeer

Cover of Mushroom Blues by Adrian M. GibsonIf you’ve been on Bookish Social Medial at all in the 6+ months, I’m willing to bet you’ve seen the name Adrian Gibson or at least the cover of Mushroom Blues. You may also know him from the podcast he hosts with M.J. Kuhn, SFF Addicts. Last week, Adrian was gracious enough to struggle with StreamYard (and it was in a mood) in order that we could sit down and talk about Jeff VanderMeer–an author that I’ve been intimidated to pick up and try, but who has been instrumental in Gibson’s career. I walked away excited to try VanderMeer, and I had a good time in general. I hope you watch this and walk away thinking the same.

As I said, StreamYard wasn’t happy, so the video freezes a couple of times on both of us, but the audio is fine.

Adrian M. Gibson Links:

Twitter ~ Instagram ~ Website ~ Newsletter ~ Amazon ~ Goodreads


Are you a Reader of Things and want to chat with me about an author/series/something other than promoting your own work (which we will do, just not primarily)? I’d love to keep trying this, but I’m not ready to start pestering people about it. So please let me know.

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MUSIC MONDAY: “Shut Your Mouth and Do Something” by Ali Handal

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Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

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Dial A for Aunties by Jesse Q. Sutanto: Is it a Crime Comedy? Is it a Rom-Com? Is it a Family Farce?

Cover of Dial A for Aunties by Jesse Q. SutantoDial A for Aunties

by Jesse Q. Sutanto

DETAILS:
Series: Aunties, #1
Publisher: Berkley
Publication Date: April 27, 2021
Format: Paperback
Length: 320
Read Date: August 12-13
Buy from Bookshop.org Support Indie Bookstores

“Easy,” Big Aunt sniffs, shaking her head. “I don’t think it’l be that easy.”

“Why not?” Second Aunt says, raising her chin,

Big Aunt shrugs. “Because it’s never easy. Otherwise people would get away with murder all the time.”

I wince at the word “murder,” even though she said it in Mandarin. And even though I want to have faith in Second Aunt’s simple plan of “get there, find cooler, bring cooler back,” I have a feeling that Big Aunt is right. When it comes to hiding a dead body, it’s never simple—a lesson I’m quickly learning from the previous night.

What’s Dial A for Aunties About?

I feel compelled to assure you that I am not making this up—Jesse Q. Sutanto did. But as I try to summarize this, it feels like I’m just typing random words onto the screen.

Meddy Chan is a photographer for her family wedding business—one auntie does the baking, one auntie helps with makeup and hair, her mother does the floral arrangements, and another auntie is in charge of the entertainment. Meddy wanted to do other things with her photography, but being a good filial daughter, she went along with her mother and aunties when they started the business. Their biggest wedding to date is just around the corner; there’s a pair of children of billionaires getting married at a resort and the Chans are on-board.

But first, Meddy’s mother has a surprise for her. For the last few weeks, she’s been posing as Meddy on a dating site, and things with one suitor have gotten to the point for their first in-person meeting. In just a few years. Meddy doesn’t have the time (or willingness) to explain to her mother how inappropriate this all is—so she goes on the date. Fast-forward: by the end of the night, he’s dead (accidentally). In her panic, Meddy doesn’t report this to the police or anyone. She drives home with the body in the trunk. Her mother calls her sisters in to help. They come up with a hare-brained scheme to dispose of the body after the big wedding and get some sleep before the big job.

Naturally, a mix-up happens when the helpers come and pack up things like the cake to take to the resort. They include the cooler the body is hidden in. While they scamper around trying to decide how to hide and/or dispose of the body while at the resort, Meddy’s college boyfriend, the love of her life, the one who got away (and the one her mother and aunties never knew about) shows up.

And then things start to get weird with the wedding.

And then…well, that’s about enough to get you started, right?

Why did I pick this up? Why did I keep reading?

I got this from a Blind Date with a Book last year at some event at Shared Stories—which was fine with me, I’ve enjoyed Sutanto’s Vera Wang books, and the one YA book by her I listened to wasn’t bad. But I put it on the back burner, and it likely would’ve stayed there except I needed”a book by an author who is not from the UK or USA” for The Book Tempter’s TBR Challenge, and this was the only one that fit. So…

I kept at it because I started laughing within pages—and then you add the dead body and everything else? You have to find out where it goes. I was still laughing and chuckling up to the end (along with uttering the occasional “awwww”). Because as goofy as the above section was…it gets wackier.

What does this book tell us about humanity?

“Meddy is probably cautious because last time when you tried to set her up with Wang Zhixiang’s son, he turned out to be, you know,” Fourth Aunt says.

Ma waves an irritated hand. “Why do you keep bringing up Zhixiang’s son? So he turned out to be some maniac. How was I supposed to know?”

“Kleptomaniac,” I mumble. By the time our date was over, he’d stolen my makeup bag from my purse and, somehow, one of my shoes. I mean, the guy’s an asshole, but you’ve gotta give it to him. Or let him steal it.

In a letter to the reader before the prologue, Sutanto talks about the origin and inspiration of the book (and explains the broken English of many of the characters) and writes, “I hope that this book gives you a little peek into the fierce love with which my family raised us and protects us to this day.” To go with that, there’s a lot about the role of family in the book. Not just Meddy’s family (although that’s so pervasive you could be forgiven for not noticing any others), but Nathan’s (the college boyfriend), and the families of the bride and groom.

These families are sources of comfort, security, aggravation. There are petty rivalries between the aunties that go back decades and will never be resolved—which doesn’t alter in the slightest their devotion to each other—it just flavors it (I’m not 100% certain they even notice them). I’m sure at least one auntie realizes how insane it was for Meddy’s mother to pose as her on a dating site, but doesn’t say anything.

And whether it’s family by blood and birth, a family by choice, a found family, or…whatever. There’s something that everyone can identify with, something that everyone can see themselves in. Something we can all learn from and see humanity in. It might be easier to see it in an eccentric collection of fictional relatives than in our own—but we can then transfer that into our non-fictional families.

So, what did I think about Dial A for Aunties?

Now we know, when it comes to fight or flight, I am neither. I am: freeze like a hamster and then melt into a useless shivery puddle.

Before I get into anything else—I love Meddy’s description of groom-zillas, and how they’re a bigger problem than any supposed bride-zillas. And then this is borne out by the actual bride and groom for this particular wedding.

If you just had the long-lost love showing up at the wedding gig, the story wouldn’t have been as good. If you just had the Chans dealing with the corpse and the wedding, it would’ve been funny, but it wouldn’t carry much emotional weight. If you had the corpse and the long-lost love storylines…I’m not sure any comedy would’ve survived. But somehow when you combine the three elements with Sutanto’s gift for storytelling and comedy, it’s just magic. Madcap magic, but magic.

I’m sure there’s more to be said about the book, but I’m drawing a blank on it. It’s just… Ridiculous. Deliciously ridiculous. Ridiculously sweet. You’ve gotta read this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

20 Books of Summer 2026

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Fantasy with Friends: Anachronisms in Fantasy

Fantasy with Friends A Discussion Meme Hosted by Pages Unbound

Fantasy with Friends is a weekly meme hosted by the good people over at Pages Unbound. Fantasy with Friends poses questions each Monday about fantasy, either as a genre as a whole or individual works.

This week’s prompt is:

Do anachronisms in fantasy bother you? Should fantasy be “similar” to the time period it’s based on, either in terms of language used or things like invention, fashion, customs, etc.?

I’m nervous about my answer to this, because I think it will be easy to go through the last 13 years of posts here and find places I’ve said something other than what I’m about to say. Eh, there’s that old maxim about foolish consistency being the hobgoblin of little minds, right?

By and large, I don’t care.

Let’s start with the language used–either by the characters or the narration (assuming it’s 3rd person). I remember a Creative Writing professor in college saying that you need to choose to either stick with time/place appropriate language or contemporary language–and stick to it. If you falter at the language usage just a bit, you ruin the whole effect, and likely the book. And don’t think you can get away with “what people think people in the fourteenth century sounded like”, you need to know that. And then, since what most people “know” about that century is wrong…well, you’re doomed. You litter your manuscript with “verily”s, “forsooth”s, “thou”s, and “thine”s, you’re apt to flub something up–and the prose is going to feel clunky. Add in the fact that most people don’t understand the proper use of ye, thou, thy, etc. (see John McWhorter’s Pronoun Trouble for a quick discussion of that). I want to say that Stasheff’s Warlock of Gramarye series uses that kind of language, and it bugged me as I read it.

Also, profanity was used to a degree that we don’t like to acknowledge. And the words used to describe minorities, women, and social classes would get authors and publishers in trouble (see the difficulties people have with The Adventures of Huckleberry Finn, for example. And that’s relatively modern compared to a Middle Ages-set book)

And then the technology? Well, again, we run into our own chronological snobbery and understanding of earlier eras largely based on fictional depictions in TV and movies rather than pesky facts. Same for fashion.

And then we have to deal with the “time period” idea. Books like the dozens of Shannara books take place in our far-flung future, despite their semi-Medieval trappings, right? So… how do you determine an anachronism? Ditto for Brooks’ Magic Kingdom of Landover series. Or when is the Broken Blades trilogy set? Berne’s Partial Function can sort of be mapped out in relation to his Hybrid Helix, but as it’s on another planet than Earth, who’s to say what counts as legitimate custom for the time?

I can pile on examples along those lines. But you see where I’m going. One of the cruxes of the issue is that by and large, Fantasy novels don’t have a time period to be anachronistic about. They’re (mostly) some sort of Medieval/Middle Ages thing. Although some are more Renaissance-ish (The Gentlemen Bastards leap to mind). And I’m honestly not sure when things like Winter’s The Burning or Chu’s The War Arts Saga is supposed to be. Don’t even get me started on Wang’s Blood Over Bright Haven or Vadney’s Crownfall (books that I will be returning to in a few weeks for another topic)…

Now, at the same time–someone sitting around a campfire with their armor and sword sitting next to them using a post-Edison device–like a phonograph or a pocket calculator–is going to throw readers out of the moment. But a retired mercenary orc using a goblin invention to introduce humans on the other side of the kingdom to espresso-based drinks is fun. If you can justify it in-story, go for it.

Part of the fun is that it’s Fantasy, we get to set aside a lot of the reality of time, place, custom, and whatnot for something that serves the story and characters best. People complaining about a warrior riding a gryphon into battle wielding a musket instead of a crossbow is missing the point. Also, now that I’ve thrown that sentence together off the top of my head, if anyone can point me to a series/book that fits that scenario, please tell me.

I’d encourage you all to go read some of the other responses to this prompt, I can tell from the title of Briana’s post at Pages Unbound that there’s going to be some good diversity of opinion. I think it’s entirely possible that people like Briana are going to make me alter my position (I’m going to wait until Monday evening to read her post, so all I can go off of is the title).

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Saturday Miscellany—8/15/26

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Rakuten Kobo Returns to U.S. Retail as Sales Double —worth the read even if you don’t care about Kobo just for the commentary on e-book sales.
bullet Ebooks are coming to Libro—the audiobook store that supports local bookstores is adding eBooks to the app next year.
bullet How Readers Find Books—a new project from Debbie Ridpath Ohi to help with new ways to discover books. Readers of this post may want to look into contributing
bullet Interview With an Author: Lee Goldberg—from the LA Public Library
bullet Perhaps We Could Find Some New Book Topics to Argue About—Molly Templeton calls for finding new evergreen topics to argue about. (while giving her $.02 about some of the current crop)

My favorite sentence/passage/phrase (or two) that I read this week:
“If I am wrong about this, then there is no sense in listening to anything else I might say, because it would reflect a misunderstanding so profound as to necessitate my retirement from sharing my thoughts with other people.”—The Wizard Who Kept Himself Suspicious by Scott Lynch

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet The Purloined Poodle by Kevin Hearne
bullet Lady Cop Makes Trouble by Amy Stewart
bullet And I mentioned the releases of: How to Party With an Infant by Kaui Hart Hemmings; Nevernight by Jay Kristoff; and Killer Instincts by Linden Chase

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet The Killer’s Mark by M.W. Craven—not in the US, we have to wait for October (or cough be willing pay a lot for interational shipping cough), but I’m still counting it. “When a teenage girl walks into their office, looking for the mother she long believed to be dead, they agree to take the case. As Poe and Tilly investigate the girl’s claims, they find themselves drawn into a murky world of trafficking, pornography and prostitution.”
bullet Killing A Perfect Beast by Thomas Trang—Trang wraps up this summer’s trilogy about crime and politics mixing on Mars.
bullet The Tailor by Tim Sullivan—DC Cross’ 8th adventure puts him into “the world of spies and state secrets.” I have a few to go before I get to this, but I’m looking forward to it
bullet Under the Falls by Richard Russo—”at once a propulsive thriller, a gut-wrenching portrait of a tight-knit rural community undone by the sins of its past, and an unflinchingly honest depiction of how porous the line between right and wrong, good versus evil, can become.” Honestly, of all the books that didn’t need a sequel, Empire Falls is near the top of my list. But I’m not sure I can resist the pull.
bullet The Dungeon Book by Gareth Hanrahan—”A young girl is left to die in a wizard’s dungeon but finds a new home with the monsters around her in this humorous and heartfelt standalone epic fantasy.” Since I read Witty & Sarcastic Book Club’s review in June, I’ve been jonesing for this release.
bullet Don’t Cross Mo Ellery by Birdie Horne—”A laugh-out-loud mystery following the indomitable hot mess Mo Ellery, whose job as a school crossing guard pulls her into an unhinged murder investigation.”
bullet You’ll Love It Here by Natalie Sue—”One day is all it takes for Mona’s life to implode. After years of climbing at her marketing firm, she was supposed to be getting promoted and finally moving out of her crumbling apartment building. Instead, she’s jobless, aimless, and still stuck in a space barely big enough for a yoga mat. Then her eccentric landlady takes a tumble and asks Mona to step in as the building’s reluctant super. The deal is simple: help prep the place for sale, and she can secure the upgrade she’s been chasing. But that’s easier said than done when the neighbors treat ‘boundaries’ as optional.”
bullet The Wandering Inn by pirateaba—The indie book makes it’s trad debut, it’s the first volume in a LitRPG “a dangerous world where magic is real and people can level up and gain classes, Erin Solstice must battle somewhat evil Goblins, deadly Rock Crabs, and hungry [Necromancers]. She is no warrior, no mage. Erin Solstice runs an inn. She’s an [Innkeeper].”

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Detained: A boy’s journal of survival and resilience by D. Esperanza and Gerardo Iván Morales

Cover of Detained by D. Esperanza and Gerardo Iván MoralesDetained: A boy’s journal of survival and resilience

by D. Esperanza and Gerardo Iván Morales

DETAILS:
Publisher: Atria/Primero Sueno Press
Publication Date: May 13, 2025
Format: Hardcover
Length: 241 pg.
Read Date: July 20-August 1, 2026
Buy from Bookshop.org Support Indie Bookstores

The Politics of Immigration

Is something that I won’t be addressing. And really, neither does this book, no matter what your first impressions are. (I had similar ones, too) Yes, the primary author clearly acted in a way that indicates a certain perspective on it—as much as a 13-year-old from Honduras might have one.

Anyway, the book isn’t about that. I’m not going to talk about that either—and I will trash any comments that do, too.

But enough of that:

What’s Detained About?

After his grandmother died, 13-year-old David Esperanza tries to provide for himself and his cousin in their small Honduran home. His parents went to the States when David was so young he can’t remember them, really. Aside from the weekly phone calls, anyway.

David finally admits he can’t make enough money to keep them fed and housed, so he and his cousin decide to join his parents in Nashville. David doesn’t relate this information to them, sure they’d forbid it. But he feels that he has no choice. They have great misconceptions about how long their journey will take, but it doesn’t take long for them to learn that lesson.

They stop in Guatemala to spend a day or two with an aunt, who sends her two sons with them for many of the same reasons. Hope for work, hope for food, hope for peace exists in the U.S., not where they live.

It’s not easy to get through Mexico—but they manage, relatively unscathed. One cousin has to turn back, but the rest make it. They get separated on the other side of the border and David spends months bouncing around from one facility to the next, waiting to learn what will happen to him. Throughout it all, he journals as often as he can.

Those journals—cleaned up and filled out a little bit—make up this book. Telling his story from before his grandmother’s death through his days in the various facilities.

Well, This is Just Too Eerie

So, so, so many of the events that happen to David and his cousins on their journey North—and what happens to David when he crosses the border felt familiar.

There’s a young character in Winslow’s Cartel trilogy who goes through so many similar things—I believe he’s sent North by his mother to prevent him from being forcibly initiated into a gang, so he can live with his aunt and uncle (it’s been a few years, so forgive me if my details are wrong). But the more exciting events on the walk/ride through Guatemala and Mexico are pretty much what befell David and his cousins (except condensed into one person), and a good deal of the events in the States were similar, too.

I have to wonder if Esperanza was interviewed by Winslow—although I can’t imagine that his experiences are all that unique, either. Anyway, it was just one of those parallels that I couldn’t stop thinking about.

Why did I pick this up? Why did I keep reading?

A local bookstore was selling this as a fundraiser for a charity that I felt interested in supporting—and the book looked like it could be interesting, too.

I kept reading because I wanted to see how the kid came through it all—and maybe how. I wanted to see how many adults treated him decently, how he clung to and/or found some hope…something.

What does this book tell us about humanity?

On July 13, 2018—roughly two and a half months after he was apprehended by Immigration officers—David wrote:

…ever since this morning, I’ve been thinking a lot about a story in the Biblia that Padre Juan talked about at church once in Naranjito. It’s about a man who gets beat up and thrown in a ditch by a gang, just like what happened to Damián. He’s hurt and lying in this ditch, and a priest walks past without helping him, because it’d be too much work or he’s afraid it’s a trap or he doesn’t want to get his clothes bloody or whatever. The man only gets saved when a buen Samaritano stops to help him. In a way, even though the priest didn’t do anything, he was just as bad, or almost as bad, as the gang that beat the man up. Padre Juan says the priest in the story was bad because he didn’t do anything. I thought it was interesting that Padre Juan told us about it, even though the bad person is a priest like him.

The point is, there are two ways you can hurt people. You can hurt a person actively, like by punching them or stealing from them or whatever. But you can also hurt a person passively, by refusing to give them help when they need it, or by pretending you don’t see them, or by acting like they don’t exist.

Since leaving Naranjito, there have been a few adults who have tried to hurt me actively—like the hombres del cartel who shot at us while we were riding La Bestia, or the pissed-off Migra guys who put me and my cousins in a refrigerator to freeze half to death. And all that was horrible, obviously. But in a way, when someone hurts you actively, the damage is mostly just physical. Back home, gangs are a fact of life, and even though I was always lucky—I was never directly targeted until the cartel chased me off La Bestia—there’s always a risk that someone will hurt you in an active way. But that doesn’t give me this horrible, whole-body feeling of worthlessness. In Naranjito, I never saw anyone get passively hurt. I’m sure some kids had parents and family who were bad to them, but in some ways, anyone’s kids were like everyone’s kids. Ifa kid was hungry, obviously it was their parents’ job to feed them, but if thelr parents were missing for some reason, the rest of the pueblo wouldn’t just let the kid starve to death.

Since crossing the border though, until breakfast this morning, I don’t think a single adult in los Estados Unidos would have cared if I’d starved. In los Estados Unidos, the passive pain has been the worst feeling of all. Passive pain is a little harder to explain than active pain, but I’ll try;

It hurts in a different way. The adults who have tried to actively hurt me aren’t as bad as all the adults who stand around, seeing what’s happening doing nothing. Looking bored. This has been everywhere since I got to el Norte. There have been a million examples: the woman behind the desk at oficina de la Migra who called Papa and filled out my registration on her computer before her buddies in green uniforms stuck me in a refrigerator. The bus drivers who shuttled me and a vehicle full of innocent kids from one kind of jail to another and never stopped to ask what we did to deserve this, why we weren’t in school, why we weren’t with our parents, why we were crying, why we were dirty, why my foot was oozing blood and pus and stinking up the entire bus like roadkill. The servers in the cafeteria who see this food is making us sick but won’t do anything about it, who won’t let us grab another box of Frosted Flakes. The worst of all are the tíchers, these useless tíchers who call us by our bed numbers, these grown-ups who speak fluent English and could really do something to help us, but who just stand around looking tired and annoyed while kids like me are kept from our parents for no reason, tíchers who don’t sound any alarms when nine and ten-year-olds are passing out on the campo de fútbol because they’re afraid to drink water, because they’re afraid to use the bathroom.

Sometimes it makes me want to grab a piece of cardboard and write I’m a kid, do something on it. It makes me want to grab a megaphone and scream “I’m a person! I’m supposed to matter!” But more often, it makes me wonder if maybe I don’t matter, it makes me want to collapse, it makes me want to give up, it makes me want to melt into my bunk, it makes me want to climb down the porta-potty pit and dissolve in the chemicals. It makes me never want to look anyone in the eye again.

The hope-giving thing there is that “until this morning”—but that event (a tícher letting them have an extra serving of Frosted Flakes—without knowing that was unacceptable) isn’t common. This book doesn’t paint a particularly pleasant picture of humanity—especially in the United States.

So, what did I think about Detained?

As I said at the outset, this is not a book about Immigration politics. It’s about how we treat people—particularly children—who have been apprehended by Immigration officers. It’s about how a children are treated little better than animals—despite everyone assuring them, in practically a gaslighting way, “You’re safe.” A sentence that I can’t believe David would ever believe again.

There are moments of joy, of relief, of hope. David’s first experience with Elote, the day before they cross the border brought a smile to my face (and made me crave some). And there are more moments with that tícher above. Like, in Henry: A Polish Swimmer’s True Story of Friendship from Auschwitz to America, there are moments of friendship and happiness to be found in the camps, too.

Is the writing the best? No. But it’s based on a semi-literate (even in his native language), barely educated 13-year-old’s journals—you’re not going to find Gabriel García Márquez-level prose here.

But the story David tells is engaging, gripping, heartbreaking, and tension-filled. You will get drawn in very quickly and you won’t be able to stop reading until the end. You won’t be able to stop rooting for him—even if you’re not crazy about his choices (or downright disapprove), it’s more than easy to understand them.

The book will exercise your compassion. It’s definitely worth the (minimal) effort to read—and you’ll find it rewarding. I strongly commend it to your attention.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.

20 Books of Summer 2026

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BOOK SPOTLIGHT: The Driftborn by Simon Bullock

This morning, I’m very pleased to welcome The Write Reads tour for Simon Bullock’s The Driftborn, a nifty looking Space Opera. Be sure check out https://twitter.com/WriteReadsTours over the next week and change to see other bloggers talk about it. Let’s learn a little bit about the book, shall we?

The Write Reads The Driftborn by Simon Bullock Tour Banner

Book Details:

Title: The Driftborn by Simon Bullock
Genre: Space Opera
Release date: July 28, 2026 (digital edition) May 26, 2026 (hardcover edition)
Length: 480 pages
Publisher: 42nd Parallel Press
The Driftborn by Simon Bullock Cover

About the Book:

A forgotten wreck. A forbidden map. A gate that should never have been opened.

On the salvage moon of Veyra’s Fall, Kade Renn only wants one thing: a working air filter for his sick sister, Lira.

Instead, he finds a buried courier ship older than the official history books. Inside it is a dying Driftborn pilot, a forbidden star map, and a message from Kade’s mother, Elian, who supposedly died nine years ago.

The Directorate says the gates saved civilisation. It says the Driftborn are criminals, free-route smugglers and a threat to every recognised human world.

The Directorate is lying.

Forced to flee with Lira, their strange scrap-mech Nix, and a half-illegal ship called The Moth, Kade is pulled into a hidden war over the true origin of the gates. The deeper they travel beyond authorised space, the more dangerous the truth becomes.

The first crossing was not what humanity was taught.

The gates were not built by us.

And something has been waiting for us to understand what we woke.

For readers who enjoy grounded space opera, ancient alien mysteries, damaged ships, found family, dry humour and human stakes beneath the scale of the stars.

The Driftborn is a tense, character-driven science fiction novel about control, memory, survival and the danger of mistaking every door for an invitation.

Book Links:

Amazon Canada ~ Amazon US ~ Amazon UK ~ Goodreads ~ The Story Graph

About the Author:

Simon BullockSimon Bullock is a British-born author living in the Netherlands. He writes psychological thrillers, historical fiction and speculative novels with a focus on believable characters, emotional tension and dark, understated humour. His work often explores ordinary people under pressure, hidden truths, and the consequences of systems that fail the people inside them. He also writes selected speculative fiction under the pen name Richard Randon.

My thanks to The Book Bloggers’ Novel of the Year Award for the invitation to participate in this tour and the materials they provided.

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WWW Wednesday—August 12, 2026

Another week, another WWW Wednesday. The end of my 20 Books is in sight–and thankfully, I’m having a blast with them. (we’ll see about the rest of my summer hopefuls next).

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This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of Dial A for Aunties by Jesse Q. Sutanto Cover of Magic & Mystery Collection curated by John Joseph Adams Cover of The Dungeon Anarchist's Cookbook by Matt Dinniman
Dial A for Aunties
by Jesse Q. Sutanto
Magic & Mystery Collection The Dungeon Anarchist’s Cookbook
by Matt Dinniman, read by Jeff Hays

I just started Dial A for Aunties at lunch today, and am laughing already. I don’t know where this is going to go, but it’s going to be ridiculously fun.

I should be finishing the Magic & Mystery collection tonight, and I’ve been very satisfied with it.

I’ve listened to 13 minutes of the third Dungeon Crawler Carl book, and am very annoyed that I’ve been in an all-day meeting today, and will be in it all day tomorrow (unless people get really quiet, really fast). So it’ll be Friday before I can make real progress in it. I’m kicking myself for those 13 minutes…I should’ve known better.

What did you recently finish reading?

Cover of Crownfall by Michael Vadney Cover of Good Eggs by Rebecca Hardiman
Crownfall
by Michael Vadney
Good Eggs
by Rebecca Hardiman, read by Alana Kerr Collins, Gary Furlong & Siobhan Waring

Crownfall was almost as good as I’d hoped it’d be–and the last 100-150 pages are just fantastic.

It turns out that Good Eggs had been on my Goodreads “Want to Read” list for a while, so my picking it up last week wasn’t the fluke I thought it was. It was a good novel, not one that blew me away, but one I’ll recommend.

What do you think you’ll read next?

Cover of Cold Iron Task by James J. Butcher Cover of Ms. Mebel Goes Back to the Chopping Block by Jesse Q. Sutanto
Cold Iron Task
by James J. Butcher
Ms. Mebel Goes Back to the Chopping Block
by Jesse Q. Sutanto, read by Eunice Wong

Last year, when Cold Iron Task came out, I was so behind with ARCs and Tour reading that I loaned it to a friend immediately so it wouldn’t be around to tempt me. Then when I got it back, I was still so occupied by other things that I set it aside and never got back to it. That ends this week–and hopefully I don’t repeat this cycle next month when the fourth book in the series releases 🙂

Am I possibly overdoing the Sutanto? Yes. But when a Libby hold comes in, you jump on it. Hopefully this protagonist is different enough from Meddelin that I don’t OD.

Do you have anything good cooking?

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