Saturday Miscellany—7/18/26

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet People Who Can Still Read Will Rule the World—When I read this earlier in the week, I thought “problem-filled but worth the read.” I’m struggling to find the worth today, but maybe you will? It’s short anyway.
bullet Pressed for time? 20 brilliant books you can read in a day—this list might play into the hands of the opening piece.
bullet Best Science Fiction Books of the Century (So Far)—according to Book Riot, anyway
bullet So You Want to Read More Indie Authors—pretty good list. And a great lead-in to next week’s Self-Published Authors Appreciation Week
bullet If you Like This, Read That: Dad Edition—”here’s a bunch of book recs that will make the transition from reading just for you, to reading with a baby, a little bit easier”

A Book-ish Related Podcast episode (or two) you might want to give a listen to:
bullet Twisted Passages Episode 117: Jack Friday (KILLER VIBES) (I couldn’t find a link to an audio version)

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet The Substitute Sleuth by Michael R. Underwood
bullet Korian and Lucy by Zoe Kalo
bullet And I talked about the releases of: The Innocents by Ace Atkins; Time Siege by Wesley Chu; and Salvation Lake by G. M. Ford.

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Killer Vibes by Jack Friday—”A wild and wickedly funny series debut, introducing readers to the irresistible and irrepressible private investigator, Peter Key.” I was pretty enthusiastic when I talked about it recently.
bullet Unpredictable Magic by Faith Hunter—”Witches Angelina and Evan Everhart-Trueblood take a case that spirals out of control until the whole city is at risk in this exciting new novel from New York Times bestselling author Faith Hunter.” I love the idea of seeing Angelina and Evan as adult witchy PIs. I have high hopes for this sequel series.
bullet Howliday Inn the Graphic Novel by James Howe, Andrew Donkin, Stephen Gilpin—stumbling onto the Bunnicula graphic novel a couple of years ago was a great excuse to revisit some old friends. This should serve the same purpose.
bullet The Dragon Has Some Complaints by John Wiswell—”In this heartfelt and humorous fantasy from the Nebula-winning author of Someone You Can Build a Nest In, a dragon whose three heads bear rather…different…personalities finds family in the most unexpected of places.”…”This cozy fantasy intertwines epic battles with loving friendships, sharing an utterly unique perspective on what it means to be a “monster.”

an image of a social media post from @PaperFury of a poll with the options reading: Buying books because you love reading; Buying books to support artists; Buying books as a little treat to fill the void inside you then stacking them in comforting piles'
image source: Imani Rhiannon on Facebook (of an image of a post by @PaperFury somewhere else)

Mid-Year Freak Out 2026 (not completely about Butcher’s Twelve Months)

a generic-looking tag reading 'Mid-Year Freak Out Book Tag 2026'
It’s a little past time for this book tag, but it’s still close enough, right? I’ve lost track of who created it, and I feel bad about that. I have seen it this year at Kerri McBookNerd’s blog, Becky’s Book Blog, and Worlds Unlike Our Own. I’ve likely seen it a few other places, too–but I forgot to save those links (sorry if you feel I ignored you…it was unintentional).

When I started assembling this post, I joked to myself that I could just use Butcher’s Twelve Months for just about every answer. Then I thought about it, and it’d be legitimate to do so. But that sort of feels like cheating, so I won’t–but I will include it as often as it applies.

Best Book You’ve Read in 2026

Cover of A Violent Masterpiece by Jordan Harper Cover of Twelve Months by Jim Butcher
A Violent Masterpiece
by Jordan Harper
Twelve Months
by Jim Butcher

A Violent Masterpiece is just almost-impossibly well-written. Harper’s prose is sharp, the cultural critique is spot-on, he makes LA and the strange sub-cultures that populate it come to life (at least the ones he looks at in this book), and it’s thrilling as all get-out. Twelve Months is exactly the book that Butcher’s fans have been waiting for–not just because we’ve literally been waiting a few years for it, but it’s Butcher at his absolutely best–and therefore Harry Dresden and the rest of the characters are, too.

Best Sequel You’ve Read in 2026

Cover of Three Hitmen and a Baby Hart by Rob Hart Cover of Electric City Switches by M.D. Presley
Three Hitmen and a Baby
by Rob Hart
Electric City Switches
by M.D. Presley

Three Hitmen does everything that the previous books in the series did, but does them a little better. Actually, that’s the case for Electric City Switches, too. I was looking forward to both of these before I started, but part-way through, I got even more excited by the books and what they meant for their respective series.

Cover of Twelve Months by Jim Butcher
Twelve Months
by Jim Butcher

Twelve Months–it really is the sequel to Peace Talks/Battle Ground (and almost every book in the series), not just the next book in the series–Butcher follows up with the aftermath of those two and helps both his fans and characters start to recover from them.

New Release You Have Yet To Read

Cover of This Kingdom Will Not Kill Me by Ilona Andrews Cover of Prey of Angels by JCM Berne
This Kingdom Will Not Kill Me
by Ilona Andrews
Prey of Angels
by JCM Berne
Cover of Crownfall by Michael Vadney Cover of Don't Die Dave by A.R. Witham
Crownfall
by Michael Vadney
Don’t Die Dave
by A.R. Witham

There are plenty of books that have come out this year that I haven’t read (obviously), but really I’ve done a pretty decent job of keeping up on the ones that I’m really excited about for one reason or another–these four, on the other hand, prove that I don’t have a clean sweep going on that.

Most Anticipated Release From the 2nd Half of the Year

Cover of The Killer's Mark by MW Craven Cover of Silver and Lead by Seanan McGuire
The Killer’s Mark
by M.W. Craven
Silver and Lead
by Seanan McGuire

I seriously cannot wait for The Killer’s Mark–we’re moving into a new stage of the series here, and I have no idea how it’s going to work. I need to know. McGuire’s Silver and Lead is a close second on the anticipation list, it’s going to be a new phase for that series, too (although this series is full of those). There are others I’m sure that I’ll be excited about–The Thrice-Bound Fool by Christopher Buehlman, for example–but these are the two I’m really waiting for.

The embarrassing thing that I just noticed is that last year’s answer to this question was the previous book in both series by these two. Score one for consistency, I guess.

Biggest Disappointment

Cover of Worse than a Lie by Ben Crump
Worse than a Lie
by Ben Crump

Given the premise and the notoriety of the author, it could’ve been something else. I guess it was, but what it was rhymes with “a waste of paper and ink.”

Biggest Surprise

Cover of Operation Bounce House by Matt Dinniman Cover of The Dentist by Tim Sullivan
Operation Bounce House
by Matt Dinniman, read by Travis Baldree & Jeff Hays
The Dentist
by Tim Sullivan

Okay, I expected that Dinniman could write something (see: “50,000,000 Elvis Fans Can’t Be Wrong”), but I wasn’t ready for something that was amusing, heart-wrenching, and that did a careful job of addressing a touchy subject (it maybe shouldn’t be one, but it is). This could’ve easily been an overly-earnest screed with some out-of-place jokes attached. But no, that’s not what he brought us. Sullivan’s depiction of a detective on the Spectrum doesn’t resort to stereotypes, doesn’t play up the neurodivergence for laughs, and surrounds that great character with other well-drawn characters and some really well-conceived and executed mystery plots.

Cover of Twelve Months by Jim Butcher
Twelve Months
by Jim Butcher

I was really surprised at the depth of the storytelling, the way Butcher could switch between emotional reactions so quickly (I mean, he does this all the time, but he does it more often here), and just how grounded his story about a wizard living in a magic castle in modern-day Chicago could feel.–and a couple of the story events, surprised me a lot, too.

Favorite New Author

Picture of Matt Dinniman Picture of Callum McSorley Picture of Tim Sullivan
Matt Dinniman Callum McSorley Tim Sullivan

Between wowing me with Operation Bounce House and me finally succumbing to the cult of Dungeon Crawler Carl, Dinniman has to be at the top of my new-to-me authors. Followed closely by The Dentist‘s Tim Sullivan. See above. I have to add in Callum McSorely here–his depiction of Glasgow, the least-dirty dirty cop in fiction, and the criminals she’s up against. His debut is one of those that you can’t believe is a debut.

New Favorite Character

There are just so many characters I could put here…it’s truly difficult to restrain myself. But there’s Tim Sullivan’s DS George Cross–yeah, I keep coming back to him. That character is just a great creation. As is Grand Champion, Breed Winner Regional, National Winner Princess Donut the Queen Anne Chonk. If you’ve met her, you know. If you haven’t, I don’t know that I can sufficiently describe her.

Although, I think I have to give the crown to Harry Dresden’s Valkyrie bodyguard, Bear. Her combination of calm under pressure, sharp wit, wisdom, and strength added a breath of fresh air to the series–and to Twelve Months in particular. Harry needed another ally for the next stretch of books and Bear is going to fill that role so well. She cheered me a little almost every time she showed up.

A Book That Made You Cry

Cover of Twelve Months by Jim Butcher Cover of The Best Dog in the World edited by Alice Hoffman Cover of This Book Made Me Think of You by Libby Page
Twelve Months
by Jim Butcher
The Best Dog in the World: Essays on Love
edited by Alice Hoffman
This Book Made Me Think of You
by Libby Page

I don’t think I actually cried (yet) because of a book this year. But Twelve Months wrecked me–Harry’s guilt and grief, his despair has to move you. Actually, some of the points that helped him start to get past those really make a guy think about losing a tear or two.

Hoffman’s book that could be considered a series of eulogies (a couple of them pre-emptively delivered) for wondeful dogs is of course going to make a reader misty-eyed. It started with the first essay and didn’t let up until the back cover.

Here’s another shocker–a book about a widow’s first year without her husband who has left an unbelievable series of gifts for her to help her in her grief? It doesn’t et maudlin, but it sure jerks at some tears.

A Book That Made You Happy

Cover of Twelve Months by Jim Butcher Cover of All the Best Dogs by Emily Jenkins
Twelve Months
by Jim Butcher
All the Best Dogs
Emily Jenkins, illustrated by Manuel Preitano

One last Twelve Months mention–yeah, it made me weepy, it shocked me with a couple of developments–but it just made me happy to be back in the wrold of harry Dresden, to see how he’s dealing with everything (and everyone else, too). It was a roller coaster for me, for sure–but even when I was lamenting I was happy. And then with All the Best Dogs you’ve got a bunch of elementary school kids in love with their dogs and having fun with them? The book is practically distilled joy.

What Book/s Do You Need to Read By the End of 2026

Well, that’s a long list. There’s the books listed in my summer reads challenges; the soon to be released Craven, McGuire, and Buehlman; I’ve got a couple of books by Mai Corland and Wesley Chu that are gathering too much dust; We Chase Shadows, the 30 or so books that I bought this year that I haven’t read yet…


As usual, I’m not tagging anyone in this—but I’d like to see what you all have to come up with.
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Opening Lines: The Daughters’ War by Christopher Buehlman

We all know we’re not supposed to judge a book by its cover (yet, publishing companies spend big bucks on cover design/art, and we all do judge them that way). But, the opening sentence(s)/paragraph(s) are fair game. So, when I stumble on a good opening (or remember one and pull it off the shelves), I like to throw it up here (especially if I’m out of time to come up with a post that involves writing on my part).

from The Daughters’ War by Christopher Buehlman:

I saw my first goblin the same day I saw my first shipwreck.

I was under sail, on my way to war.

On my way to fall in love with death, and with a queen.

On my way to lose all of my friends, and two of my brothers.

I would see a great city fall in blood and fire, betrayed by a false god.

Later, I would be commanded to die on a high stone bridge, but I would fail in this.

The rest of the First Lanza of His Majesty’s Corvid Knights would not fail.

This is not a happy story, but it is a true one.

I have no time for lies, or for liars.

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The Reverse Centaur’s Guide to Life After AI by Cory Doctorow: Prudent, Thoughtful, and Entertaining (naturally)

Cover of The Reverse Centaur's Guide to Life After AI by Cory DoctorowThe Reverse Centaur’s Guide to Life After AI: How to Think About Artificial Intelligence—Before It’s Too Late

by Cory Doctorow

DETAILS:
Publisher: Macmillan Audio
Publication Date: June 23, 2026
Format: Unabridged Audiobook
Length: 5 hrs, 28 min.
Read Date: June 25, 2026
Buy from Bookshop.org Support Indie Bookstores

A reverse centaur is a human who is conscripted into acting as an assistant to a machine. There’s a classic I Love Lucy episode where Lucy and Ethel are working on an assembly line at a chocolate factory, taking bonbons off the belt and wrapping them in paper. As the belt goes faster and faster, Lucy and Ethel have to work at superhuman speed. They’re reverse centaurs: the machine can move the chocolates from one place to another, but it needs a human to pack them into the box, and the humans who act as its assistant are made to work at a pace that exceeds all human capacity until calamity ensues.

What’s The Reverse Centaur’s Guide to Life After AI About?

If I try to summarize this, we’re going to be here for a while (or I’ll pitch it in a tweet-length paragraph that won’t do the job), so let me quote from the official blurb:

The Reverse Centaur’s Guide to Life After AI is not another anti-AI screed. Cory Doctorow uses AI in his work every day. As a creative person, he has no moral or dogmatic issue with AI—he thinks the technology is useful, even exciting, and full of potential. And yet.

AI has arrived surrounded by unprecedented hype driven by a tech industry desperate to maintain its unprecedented valuation based on its own promises of endless financial growth. Despite the fact that almost all of AI’s real-world implementations have proved underwhelming, AI is projected to be worth more than $16 trillion—a number that only makes sense if AI replaces vast swathes of the wage-earning human workforce. To justify that level of “value,” every story about AI must be presented as inevitable, world-changing disruption. Even the tales of the robot apocalypse are a calculated attempt to bolster the fearsome power of AI.

For Doctorow, it is imperative to see through that hype to the real story, to understand the technology not just for what it does, but for who it does it to and who it does it for. From that point of view, the story of AI is indeed dramatic and unprecedented, having generated an investment bubble so big that it endangers the entire world economy. In The Reverse Centaur’s Guide to Life After AI—as he so successfully did in Enshittification—Doctorow recounts both how we found ourselves in this dire situation and how we can get through it, to a life “after” AI in which the tools work for us, not the other way around.

There are three main themes to the book the philosophy of inevitablism that drives so much of the conversation around AI (particularly on the pro-AI side); the inevitable crash of the AI-bubble and what that will do to workers, industries, and the environment; and how to go on after the bubble pops—how we can use AI in a useful, constructive way to actually help people.

So, what did I think about The Reverse Centaur’s Guide to Life After AI?

…the future is up for grabs. It is not inevitable. Al isn’t a genie that can’t be put back into a bottle. How we use AI is up to us. Whether we use Al is up to us. The future can be ours, if we never stop remembering that the most important fact about a technology isn’t what it does, it’s who it does it for, and who it does it to.

I was much more anti-AI when I opened this book than I was at the end. I actually figured that Doctorow would give a pretty well-thought-out “another anti-AI screed” (I clearly didn’t read the description of the book). But Doctorow has made me reconsider some of my notions. I’m not sure he changed my mind—I’m still thinking.

I should rush to say that Doctorow doesn’t defend the notion of using so-called “generative AI” to create art, nor would I. But…transcribing audio files? Getting some facts for an article? If done in the right way, maybe.

But my post isn’t supposed to be about what I think—it’s about the reading experience. This is classic Doctorow—engaging, approachable, frequently amusing, thoughtful and thought-provoking. A good mixture of research and opinion.

The central image of the reverse centaur and the frequent call-backs to the idea that “the most important fact about a technology isn’t what it does, it’s who it does it for, and who it does it to” will stick with the reader, inform their ideas about AI, and so many other things.

The audiobook hold at my library came in a day before the hardcover—so I listened to it, and then re-read a couple of passages to make sure I heard what I thought I did to solidify my grasp on the notion. So, I think I can speak to both formats. It’s a short read (or listen), it’s an engaging read (or listen). Either way, as one would expect, with Doctorow sounding off on technology—you’re in for a treat.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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WWW Wednesday—July 15, 2026

The hot streak I was on at the beginning of the summer has cooled a bit (on the books only, sadly, not outside). But it was bound to happen eventually, and I’m not reading anything bad. Just not-as-good-as-I’d-hoped.

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of First Mage on the Moon by Cameron Johnston Cover for True Romance edited by Troy Lambert & Vincent Zandri Cover of The Patient by Tim Sullivan
First Mage on the Moon
by Cameron Johnston
True Romance: A Noir Anthology
edited by Troy Lambert & Vincent Zandri
The Patient
by Tim Sullivan, read by Finlay Robertson

I’m taking too long to read First Mage, and I’m not sure why (other than taking 2 evenings off to working through Utomi’s Forever Desert series…but that wouldn’t explain it). Hoping to finish it this evening, but I’ve said that Friday, Saturday, Monday, and Tuesday, too.

True Romance continues to be a good collection, even if the one I read last night was a giant disappointment.

The Patient is as good as I’d hoped The Cyclist would be, if not better. My parasocial bromance with Tim Sullivan is back on.

What did you recently finish reading?

Cover of The Memory of the Ogisi by Moses Ose Utomi Cover of The Faraway Inn by Sarah Beth Durst
The Memory of the Ogisi
by Moses Ose Utomi
The Faraway Inn
by Sarah Beth Durst, read by Soneela Nankani

Utomi is…okay I don’t know how to put this. He’s easily the most efficient writer I’ve read this year. He can put as much into 100 pages as some people do in 350. And it’s all good.

Huh. I guess I knew how to say it.

Durst’s YA was fine–but I think I’ll stick with her non-YA stuff.

What do you think you’ll read next?

Cover of Asteroid Savage by Thomas Trang Cover of The Daughters' War by Christopher Buehlman
Asteroid Savage
by Thomas Trang
The Daughters’ War
by Christopher Buehlman, read by Nikki Garcia

I’m eager to try Trang’s SF (and the sequel that just came out, and the sequel to it that’ll come out in a few weeks)

I’m intimidated by Buehlman’s prequel to The Blacktongue Thief. I think I started it once before and bailed quickly (mostly due to time constraints). But I want to get it under my belt now so I’m fully prepared for the next book in the series.

How’s your July reading treating you?

PUB DAY REPOST: Killer Vibes by Jack Friday: Weird (and Dangerous) Times in a Weird City

Cover of Killer Vibes by Jack FridayKiller Vibes

by Jack Friday

DETAILS:
Series: Peter Key Mysteries, #1
Publisher: Minotaur Books
Publication Date: July 14, 2026
Format: eARC
Length: 352 pg.
Read Date: July 6, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s Killer Vibes About?

Peter Key is an aimless, small-time weed dealer in his late 20s trying to live like someone in their late teens/early 20s. And that lifestyle is falling apart for him (to mix genres, think a less put-together, but better read, version of Cameron at the beginning of Remarkably Bright Creatures).

Then in an almost deus ex machina move—a lawyer shows up to tell him that his uncle (who he barely knew) is: 1. dead, 2. left him a house, a car, and some other things, and 3. left him a pile of debt.

All Peter can hear is the house part—as he’s about 20 minutes away from being homeless at that point. The lawyer has a bunch of advice about selling the home, getting rid of the debt, and whatnot. Peter wants to just move in and do so right now.

The house is a pigsty, his uncle was clearly going through a hoarding period in his life, and there are so many real estate brokers and bankers pushing him to sell the place that it feels uncomfortable. Add in some mysterious threats and warnings—and a car or two that seems to be following him everywhere.

Peter starts wondering about all this—including the way his uncle died, and starts playing amateur detective.

It’s not long before he runs into a PI who oddly enough, offers him a job and starts to show him better ways to go about what he’s trying to do.

Things get worse for Peter from there. (But better for the reader.)

Austin

What I know about Austin is so minimal. Tres Nevarre spent some time there and probably formed my initial impressions, I’ve heard about SXSW® (and wish I had an excuse to visit it firsthand), and there’s the whole “Keep Austin weird” thing that you can’t help but hear about. So…yeah, I have very little and very shallow understanding of it.

And I’m not saying that reading one mystery novel has set me straight and I’m as close to a native as you can get.

But I feel like I have a much better—grounded, fuller, and possibly nuanced—idea about it. Assuming Friday wasn’t just blowing smoke about his own city. The mix of poverty and obnoxious wealth so close to each other; a city where super exclusive poker games are regular things for the mega-rich and Beyoncé listening parties are loud and joyfully raucous; and some third thing to really round out this list.

In keeping with the title of the book, I think we’re treated to some good Austin Vibes here. And I found that great. I don’t need another Chicago, NYC, LA, or Boston PI (not that I won’t read them!), I really like getting to know another city.

Why did I pick this up? Why did I keep reading?

I requested this from NetGalley because of the phrase in the blurb: “self-proclaimed ‘laziest private investigator in Texas.'” That was enough. Now, I’m not so sure I see him as all that lazy (yet), but that line was enough to get me interested.

Once I started reading, why did I stick with it? That’s really easy—the mystery was complex without getting convoluted, the writing was crisp and clear, the characters leapt off the page—and while Peter is woefully under-qualified to tackle the things he does in this book, somehow he gets by on instinct. That’s just fun to watch.

What does this book tell us about humanity?

All families are messy. Some families are messier than others. That’s really all it boils down to here.

The first family unit we meet in this book (a couple of brothers, plus the girlfriend of one brother) is messy enough that the prudes in the readership might wonder if they want to keep pushing on (I sure did). And, honestly? It turns out that they’re the healthiest family in the book. By a mile. (however, most will not engage the prude-reflex, I should assure you).

And yet—in some way—for most of them, the family bonds, the family loyalty, the impulse to turn to family, etc. is incredibly strong. Arguably, they are the strongest when it shouldn’t be. There are some who have severed that bond—for good or ill.

But for those who haven’t—this book shows focuses on the trouble that can bring—in multiple ways and levels.

So, what did I think about Killer Vibes?

It has been a good, long, time since I read a book that was so obviously a pilot for the rest of a series. It’s about establishing the character, getting him into a new city and trying to rebuild his life, getting involved with a PI to learn from, and then starting in that career—oh, and getting a dog. And as a pilot, it was great.

I do have high hopes for this series. But I think we’re really going to need book 2 to really get an idea what it’ll be like. This novel is too focused on Peter and his family to really get a sense for what kind of stories this is going to be made up of. We know a couple of the characters we should expect to see—Grady, his receptionist, Peter’s friend…but that’s really it. So we can make a guess or two, but…it’s hard to really know. And I’m okay with that. Killer Vibes was good enough that I’m back.

But let me focus on this as a novel. Boy howdy, this was good. As a person, Peter isn’t someone I want to get to know—I think I’d enjoy knowing them, but the getting acquainted part would be difficult for me. And I kind of felt that way about the character at the beginning, too—I was interested in what was going on with him. I also really wanted to see how he goes from the kind of petty criminal that season 1 Jesse Pinkman would look down on, to a PI by the end of the novel.

But the more time I spent with him and watching him navigate the dangerous situation he found himself in—the more I liked him. Even if you don’t like him as a character—he’s a fun bumbling amateur detective in way over his head. Nevertheless, he’s largely successful at it, too. And who can’t enjoy that?

The mysteries surrounding Peter, his house, and his uncle are rich ground for readers to immerse themselves in*. There’s really not a character that you don’t want a little more of (after chapter 2, anyway)—they’re colorful, they’re multilayered, many of them are witty, and they feel real. The stakes are believable. And Friday knows his way around pacing, plot turns/twists, and how to reveal answers/clues/partial answers in a mystery.

Killer Vibes had it all. Mystery readers are going to want to be sure they make time for this one this summer.

* I know you can’t immerse yourself in ground, but roll with it, will ya?

Disclaimer: I received this eARC from St. Martin’s Press via NetGalley in exchange for this post which contains my honest opinion—thanks to both for this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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MUSIC MONDAY: “Atheists Don’t Have No Songs” by Steve Martin and the Steep Canyon Rangers

The Irresponsible Reader's Music Monday logo

Music Monday's originated at The Tattooed Book Geek's fantastic blog and has shown up hither, thither, and yon since then.

There’s nothing polemical intended here. It’s just an earworm that got re-implanted in my brain over the weekend, and according to the Deep Magic, I must infect as many as I can. Sorry, them’s the rules.

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What’s Next by Melissa Fitzgerald & Mary McCormack: An Entirely Too-Brief Love Letter to The West Wing, The People Who Made It, and a Tribute to Public Service

Cover of What's Next by Melissa Fitzgerald & Mary McCormackWhat’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service

by Melissa Fitzgerald & Mary McCormack

DETAILS:
Publisher: Dutton
Publication Date: August 13, 2024
Format: Hardcover
Length: 608 pg. 
Read Date: June 1-27, 2026
Buy from Bookshop.org Support Indie Bookstores

What’s the Jacket-Flap Say about What’s Next?

A behind-the-scenes look into the creation and legacy of The West Wing as told by cast members Melissa Fitzgerald and Mary McCormack, with compelling insights from cast and crew exploring what made the show what it was and how its impassioned commitment to service has made the series and relationships behind it endure.

Step back inside the world of President Jed Bartlet’s Oval Office with Fitzgerald and McCormack as they reunite the West Wing cast and crew in a lively and colorful “backstage pass” to the timeless series. This intimate, in-depth reflection reveals how The West Wing was conceived, and spotlights the army of people it took to produce it, the lifelong friendships it forged, and the service it inspired.

From cast member origin stories to the collective cathartic farewell on the show’s final night of filming, What’s Next will delight readers with on-set and off-camera anecdotes that even West Wing superfans have never heard. Meanwhile, a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor, creating an aspirational White House beyond the bounds of fictional television.

What’s Next revisits beloved episodes with fresh, untold commentary; compiles poignant and hilarious stories from the show’s production; highlights initiatives supported by the cast, crew, and creators; and makes a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead.

It’s Not That Kind of Book

…the bad news: We will not be covering every single episode of The West Wing in this book. Or even every “iconic” one. Or even every so-called classic moment. There are not nearly enough pages in this book to dig down into all the hopeful-moving-dramatic-funny-romantic-bantery-big-block-of-cheese moments that were served up over seven seasons.

The fact that they took until page 206 to tell the reader that seems like it was too late. It was pretty clear—unless it was going to be very brief coverage of every episode.

Instead:

Finally, if you’re hoping to find within these pages genuinely sophisticated analyses of the nighttime basketball game from season 1 or the daytime hoops from that Camp David summit episode, we’re sorry to say it, but you’re out of luck. On the other hand, we won’t be going into Zoey dating that Jean-Paul guy, so there’s an upside too.

We’re happy for the trees saved by not having written a ten-thousand-page book, and we hope you’ll enjoy the upcoming deep dives into what we consider some stellar “key episodes.”

In lieu of that, the authors do recommend The West Wing Weekly podcast—which they drew a lot from throughout the book. It’s probably good that they didn’t, in a way, I (and many others) would’ve spent too long comparing their coverage to the podcast episodes.

Still, I’d have enjoyed it.

Tributes to Two Particular Stars

One of the longest chapters in the book was Thirty-Three, “Gone,” which covered the deaths of John Spencer and Leo McGarry. It was a fantastic tribute, featuring observations and stories from so many cast and crew about it. They also reprinted a couple of eulogies. Those cited in the chapter come close to hagiography—perhaps even indulge in it—but it’s hard to come away from that without a glimpse of the devotion that Spencer inspired in those that knew him and worked with him.

If you can read that chapter with dry eyes, well, as Mrs. Landingham would say, “I don’t even want to know you.”

Similarly, there’s a chapter devoted to singing Martin Sheen’s praises. It’s not nearly as emotionally hard-hitting, but just about as good.

Service Stories

Throughout the book, the authors talk about some of the ways that cast and crew volunteer for various causes and programs, help candidates campaign for office, and whatnot. Time after time, we read about them being inspired by something they learned about from someone on set. They go to pitch in with something that a coworker is working on, and then they become involved.

In addition to talking about the various causes they’re involved with, the reader is provided with links so they can donate/volunteer/learn more about them.

The show talks about the call to just show up. The authors try to provide opportunities to do so. It’s really a great combination.

So, what did I think about What’s Next?

I can’t tell you how many times I’ve watched the series straight through, and several individual episodes I’ve seen multiple other times. As I write this, Season 5 Episode 6, “Disaster Relief,” is on the other monitor. The Post-Sorkin Era is still getting on its feet and is benching Josh for Angela Blake—it’s a giant mistake (compounded by not keeping her around after this…ahhh, she’d have been fun to see after this). Yes, they make some delicious lemonade from this. But I’m going to stop talking about that now…I’m just saying that I’m exactly the kind of Wing-Nut they wrote this book for. *</span?

But boy, oh, boy, did it work for me. I cannot say enough good things about the book.

Do I wish we got a little more time on the “John Wells Administration”? Yes. We didn’t get the depth on the casting stories of the main characters that came in late. We didn’t get quite as many Key Episode features from that time. And so on.

But honestly, we didn’t get enough of those for the Sorkin years, either.

Honestly, I wanted at least another 400 pages.

Even at 600 pages, this book breezed by. I limited myself to 1-2 chapters a day just so I could relish the experience, and it moved too quickly for me.

Fans of the series should read this. People who aren’t as die-hard as some of us should probably give it a read—and then will find themselves rewatching it again—and likely turning to things like the podcast—because they’ve fallen further under the spell.

I can see myself coming back to this book—at least chapters and parts of chapters again soon. The index of organizations/causes in my copy should also get some use. The book is a thinly-disguised love-fest, and I was in all the way. You will be, too, if you’re at least a little bit interested in the idea.

* Then again, it took me almost two full years to read my pre-ordered copy.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
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Fantasy with Friends: Discussing Brandon Sanderson and Fast Food Fantasy

Fantasy with Friends A Discussion Meme Hosted by Pages Unbound

Fantasy with Friends is a weekly meme hosted by the good people over at Pages Unbound. Fantasy with Friends poses questions each Monday about fantasy, either as a genre as a whole or individual works.

This week’s prompt is:

Are you a Brandon Sanderson fan? Some readers online have called his books the “fast food of fantasy?” Do you think that’s a valid criticism?

I am not a Brandon Sanderson fan. Mostly that’s due to my personal commitment issues. I’ve read 4 books by the man–one or two of my sons and I read The Reckoners trilogy some years back and I read The Frugal Wizard’s Handbook for Surviving Medieval England largely because of the title (and I wanted to read something by him that didn’t involve devoting a huge chunk of my life). I enjoyed all of them–some more than others, but there was nothing about them that made me “a fan”–nor am I a detractor. He seems like a nice guy who has had a lot of success and does a decent job of paying it forward. I’ve also heard his classes are more than worth the time.

Oh, I’ve also heard he’s masterful at taking a bunch of seemingly unconnected narrative threads and pulling them together in the last 10% or so of a book. Even if you know that’s his game, he can still really impress a reader the way he does it.

My friends and acquaintances that are into Sanderson do tend to make me wish I had the patience and bandwidth to try based on the way they talk about his stuff. But I don’t.

So why am I bothering to write a post this week? It’s because of the second part of the prompt.

Some readers online have called his books the “fast food of fantasy?” Do you think that’s a valid criticism?

First of all…I couldn’t find the short video I wanted to where Andrew Zimmern talks about his favorite fast food fries. But I did find this quotation/image at kitchenbusiness.com:An image of assorted fast food dishes under the text 'Like Many other chef-entrepreneurs, I am convinced that fast food does not mean bad food. Andrew Zimmern - Chef'

If you’ve ever seen Zimmern talk about food–you know that he knows a thing or two about a thing or two. And if he can talk for a few minutes about Fast Food French fries (and have positive things to say about some of them), there’s gotta be something there worth talking about. I’m pretty sure I could do the same thing with Alton Brown and others–I just remember Zimmern’s right now.

But that quotation speaks to my beef with the assumption of the question (and I don’t think that the nice people behind Pages Unbound concur with it, they’re trying to give us something to talk about)–fast food does not mean bad food. Fast food fantasy does not mean bad fantasy.

This goes beyond not trying to yuck someone’s yum. But it certainly starts there. Just knock off that kind of nonsense.

We’ve talked about what makes good Fantasy fiction in this series before–it should be some form of escapism (sure, it might be escapism in order to examine/critique our society, culture, whatever); probably have an element of magic; and take place in a world where things don’t quite work like ours, probably in at least some sort of fantastical fashion.

Can those things be done on a popular level with an easy entry point for readers of a wide variety of ages and education levels (not to mention familiarity with the tropes and conventions of fantasy), that don’t take a lot of intellectual vigor to get through the material, and possibly be more entertainment than anything? Yes. Can that be accomplished by a writer who shoves as many classical allusions into their language and characters as possible, drawing on myths and folklore from a variety of cultures, to create a scathing critique and challenge to the status quo in Western politics and power structures? Absolutely. I don’t think I want a steady diet of the latter–not sure I want a steady diet of the former, either. But give me a mix of both–along with a mix of other genres–and I’d be satisfied.

I think I should probably throw a couple of paragraphs in between the last two, but at this point, I think my point is made. But let me go back to the fast food idea for a second:

Today, I’d rather have some curly purple fries from Boise Fry Company with some of their custom ketchups and salts rather (to name one superior Fast Food fry). But there was a time in my life when fresh McDonald’s Fries (especially in a properly-filled Super-Sized sleeve) were one of the greatest culinary pleasures of my life. Now, I’m not there anymore. Partly because I think they’ve done something to the way they prep them–also, they don’t do a good job of filling the smaller sleeves now. But do I discount those earlier times? No. In fact, if I could hop in a TARDIS and have one right now (or is it right then?), I’d probably be pretty happy. A tasty fry is a tasty fry no matter if it comes in cardboard packaging or is served on a heavy plate by someone wearing a dress-shirt and tie.

And man, I really shouldn’t write using this metaphor so late at night…

So, sure, someone might “eat” a lot of Sanderson right now–but even he can’t put things out fast enough to satisfy people who only read Sanderson. So those people might decide to walk under the Golden Arches and head over to the place with the Ping Pong Ball head and read some McCaffrey, or just beyond that to the girl with red pigtails and try a Heather Fawcett book or two. Maybe they’ll want something more filling and try some Martin. Or they decide they want a particular texture and go for Brent Weeks or R.F. Kuang, or…. So let’s grant the whole Sanderson is fast food idea. At some point, a reader is going to want something else to eat–and will look for something like him, but not. And there are shelves and shelves of things that’ll fit. So leave his readers alone, and be ready to point them at something else they’ll like.

Of course, that’s my opinion. I could be wrong. Go read some of the other responses to this prompt.

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Saturday Miscellany—7/11/26

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet A Moment of Divine Inspiration Helped Melvil Dewey Bring Obsessive Order to the Infinitely Disorganized Stacks in the Library—huh. (probably better to say moment of boredom than divine inspiration, but….)
bullet Rereading Mark Twain While Everything Else Burns
bullet let’s do a ‘couch to 5k’ for reading—this is a pretty cool idea
bullet ‘Angel Down’ and Riffing on a Literary Trick—Nick Kolakowski muses on Kraus’s Angel Down.
bullet The Stories We Don’t Tell—Reading about why and how Knighton walked away from what sounds like a promising novel (but yeah, I totally get why) and how it transformed into something else. Invoking The Faithful Executioner didn’t hurt my appreciation.
bullet Summer’s One Must Read Book 2026—I don’t know how I forgot to post this last week. Over on Readling Ladies Book Club last week, a handful of bloggers shared one book a piece to help you come up with summer reading.
bullet Announcement Repost: Self-Published Authors Appreciation Week 2026—Another thing I think I forgot to properly share (this time back in May), was the upcoming Self-Published Authors Appreciation Week. From what I’ve seen, this is going to be better than the (IMHO, great) ones in the past. There’s still time to get involved for readers/bloggers/writers.
bullet Over on Instagram, @spooky_bookworm shared a (possibly controversial) list Books Written w/AI Worth Reading—I couldn’t agree with this list more.
bullet Tom Gauld shares some Heatwave Reading Dangers

My favorite sentence/passage/phrase (or two) that I read this week:
“Beer is to Bill as methadone is to a heroin addict. The alcohol level in the beer is so low he can’t drink enough to get sloshed, to saturate his fat-laden tissues. His gray matter. But he tries. He’s in pain and needs to blot out reality. Some way. Somehow.”
—from “Midight Confession” by Lawrence Kelter in True Romance: A Noir Anthology edited by Troy Lambert & Vincent Zandri

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet The Asset by Shane Kuhn (I miss this guy’s books)
bullet Daughter of the Sun by Zoe Kalo
bullet The Question of the Felonious Friend by E.J. Copperman/Jeff Cohen
bullet And I talked about the releases of: Sacrifices by Jamie Schultz ; The Last Adventure of Constance Verity by A. Lee Martinez; and Heroine Complex by Sarah Kuhn

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Late Night Mars by Thomas Trang—”Book 2 of the Asteroid Savage Series, a gritty, high-stakes science fiction thriller perfect for fans of The Expanse and Altered Carbon, where the line between hero and criminal is as thin as the Martian atmosphere.”
bullet Country People by Daniel Mason—”A year in the life of a family as they strike out into the unknown (aka Vermont), leaving all the comforts of home behind”
bullet Some People by Parini Shroff—as well done as Shroff’s previous book was, I really hadn’t planned on another. But… “A man on the brink of divorce is forced to care for his injured future-ex-mother-in-law in this wise, witty, and heartfelt novel” sounds pretty good.

A cartoonish drawing of a squirrel carrying a large stage of books to a hole in a tree already packed with books and the caption 'Me if I were a squirrel'
image course: Book of the Month on Facebook.

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