The House with a Clock in Its Walls by John Bellairs: Courage and Chocolate-Chip Cookies

I could’ve titled this “In Which I Castigate My 10-Year-Old Self,” and there will be some of that, but it seemed a bit too self-flagellating.


Cover of The House with a Clock in Its Walls by John BellairsThe House with a Clock in Its Walls

by John Bellairs

DETAILS:
Series: , #1
Publisher: Puffin Books
Publication Date: August 03, 2004 (this edition, originally 1973)
Format: Paperback
Length: 179 pg.
Read Date: September 12, 2026
Buy from Bookshop.org Support Indie Bookstores

On the first Monday after Labor Day, Lewis started going to school in New Zebedee and, before long, he had forgotten all about the mysterious clock in the walls. He had troubles enough of his own.

They weren’t new troubles. They were the troubles that a fat boy who can’t play baseball carries around with him from place to place. Lewis had always been overweight. He couldn’t remember a time when he hadn’t been. All his life—all ten years of it—he had been listening to children who chanted:

Fatty, fatty, two by four
Can’t get through the kitchen door.

What’s The House with a Clock in Its Walls About?

Ten-year-old Lewis, recently orphaned, moves to New Zebedee, MN to live with his Uncle Jonathan, a man he’s never met (although he has heard about him from other family members). Jonathan is a large, hirsute man, with a big presence, a good sense of humor, and a kind heart.

He also lives in a strange mansion. Lewis likes the mansion part immediately—and the more he learns about the strangeness, the more he’s drawn to it, too.

Jonathan’s neighbor, Mrs. Zimmermann, spends a lot of time at his house—which is good; she enjoys cooking for them. And the three regularly play poker and other things like that. It turns out that Uncle Jonathan and Mrs. Zimmermann are witches (she’s more powerful and better educated in it, however). Lewis is intrigued and loves talking about it with them—and enjoys the demonstrations he sees.

Lewis makes one friend at school, but is afraid they’re growing apart (the friend is an athlete who was pleased to hang out with Lewis when he had a broken arm, but as it heals, he’s ready to get back to sports). In an attempt to keep his friend, Lewis studies up on a big spell and shows off for his friend by attempting to raise the dead on Halloween.

The after-effects of that spell are huge—and just might bring about the end of the world.

As Neville Barnes would say, “You know, for kids.”

Wow, Times Have Changed

Okay, this was published longer ago than I’m comfortable with (see below), but it does a good job showing how much the standards have changed. Back when I was a kid (walking to school uphill in the snow both ways—literally, I mean, we also walked down the other side of the hill, but still…) this was shelved in the “Juvenile” section; today, it’s probably in the “Middle Grade” section. Regardless—there are references to drinking and smoking* throughout. There’s even a joke about the bus arriving on time only because they got the bus driver drunk! I just don’t see anyone publishing that today.

The banter that Uncle Johnathan and Mrs. Zimmermann engage in is frequently nasty and belittling—but it is clearly delivered in affection. Consider me a fan, but it feels like something from another time.

I should stress that the smoking and drinking depicted are moderate. But outside of irresponsible, if not “bad guy,” adults, I just don’t see that kind of thing happening in Middle Grade publishing today. I’m not sure we’ve gained a lot by that. (I’m not sure we’ve lost that much, either, to be fair)

* I’m told that the author who took over for Bellairs had Uncle Jonathan quit smoking for health reasons

Edward Gorey’s Illustrations

This is the one thing I remember from flipping through these books on the library shelves when I was a kid: these illustrations. Simply put, Gorey’s illustrations are a little odd. And potentially unnerving for a child in a pre-Internet and CGI animation era.

The faces are squished. Lewis looks like a thirty-year-old shrunk in the dryer (somehow, at the same time like a rough draft of Bobby Hill). But I love them. My only complaint is that there weren’t more of them. I don’t need every other page to have been an illustration, but two per chapter would’ve been nice.

Why did I pick this up? Why did I keep reading?

I picked this up for two reasons: 1. I needed a book released the year I was born for a Reading Challenge. 2. A (younger) friend has been reading everything John Bellairs wrote this year and raving about this trip down memory lane. You put the two together and…well, I just had to try it, right?

(also, I just wasn’t up for Breakfast of Champions)

Why did I stick with it? It’s so brief that I really didn’t have much of a chance to decide to DNF. Also—why would I? Within a chapter, I was questioning many of the literary choices I made in the early ’80s. I looked at this (and other books by Bellairs) several times at the library, considering whether or not to check them out—I can picture the shelf they were found on clearly—but I never did. I think I was put off by the “scariness” of them. Sure, Danny Dunn and the Anti-Gravity Paint was absolutely worth the 13th re-read, but…I could’ve easily squeezed this in. I was having a ball reading this at my not-that-advanced age and in seeing how it would—and likely still does—get younger readers hooked.

So, what did I think about The House with a Clock in Its Walls?

Lewis was silent. He had always thought that courage had something to do with riding your bicycle through bonfires and hanging by your knees from the limbs of trees.

Lewis, it must be said, is a strange little boy. He reads himself to sleep working through John L. Stoddard’s lectures from the 1880s (early travelogues). I don’t know how many of them he reads over the course of the book, but there were 10 volumes, and there’s reason to believe he read at least a couple of them. He cannot hit a baseball, field, or run—in short, he cannot play baseball, and is constantly the last to be picked (even by the kind children)—eventually doesn’t get picked at all (even by the kind children). He doesn’t even bother to try football (probably for the best)—we don’t hear about other sports, but I’m willing to bet if the book lasted through more seasons, we’d hear more about his lack of ability. And as the new kid in school, living in a strange house with an odd uncle, who cannot play sports, and who has odd interests…well, let’s just say he doesn’t really have much of a social life outside of his uncle and his neighbor.

The one friend he does make is a little too weirded out by the whole resurrecting-the-dead thing (understandably, it should be stressed) to stick with him.

In other words, Lewis is the kind of character that lonely, bookish children would gravitate to. You put him in a creepy yet wonderful house with magical interior design, and a couple of adults who treat him almost as an equal? Sounds great—who wouldn’t want a life like that? Throw in his studious nature helping him to figure out how to do magic like raising the dead? Every young nerd in the world wants something like that.

The one false note when it comes to our friend Lewis is that he doesn’t seem too broken up by his parents’ death. I get Bellairs not wanting to weigh down the entire book with grief or anything. But…a thought or two here and there for them, wouldn’t have been too morose. Also, how does a child like Lewis not think of trying to go back home to Minnesota and trying out his whole raising-the-dead thing on his mom? This risk would be worth it, right?

For me, however, the highlight of the book is the light touch that permeates everything. There’s a sense of play competing with the spookiness to dominate the book (and it wins). The dangers—and loneliness—of existence and the strange, magical mysteries of Jonathan’s mansion are best combated with some milk and a chocolate-chip cookie in hand. The graver dangers of the end of the book are taken on with an activity that could’ve been the inspiration for New Girl‘s True American game. A sense of play, absurdity, and chocolate-chip cookies is not only a recipe for a fun book, but it’s also a great foundation to build a personality on.

I had a blast with this. I encourage parents/other relatives of children of the target age to seek it out on their behalf—and adults who like to pretend they are when they read to seek it out for themselves.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

PUB DAY REPOST: Fool by K.R. Lockhaven: A Tale of Family, Love, and the Exercise of Power

Cover of Fool by K.R. LockhavenFool

by K.R. Lockhaven

DETAILS:
Publisher: Ashkad Publishing
Publication Date: September 14, 2026  
Format: ARC
Length: 421 pg.
Read Date: September 1-3, 2026

What’s Fool About?

The God-King Vaerain is a generally benevolent ruler—under the broadest definitions of both of those terms, and for those who aren’t on his bad side, things in the kingdom’s capital seem okay. This is definitely the case for his “Fool and Trusted Advisor”—almost his most trusted Advisor—and friend, Kyrien Meras. Not terribly long ago, Kyrien was a prisoner of war with a very short life expectancy, but now he finds himself in a very different position. He’s successful, has no real material concerns, his wife and child enjoy comfortable living—basically, everything’s coming up Millhouse for him.

But there are forces who are not content with Vaerian’s rule. Those who see him as a tyrant and want to see him replaced with something better—there are differences, naturally, in what might be considered the better alternative. But that’s not important for now. What is important is that some of them have decided it’s time to act.

They do so by kidnapping Kyrien’s son, Pavi. They promise to treat him well and not harm him while Kyrien accomplishes a task for them—they want to know the source of the God-King’s magic. If Kyrien can use his position and wits to uncover that source, Pavi is returned. It’s just that simple.

Of course, everyone “knows” that Vaerain was given his powers by the gods Wrath and Mercy—like all his predecessors. All Kyrien has to do is disprove a core tenet of a centuries-old religion, call into question the bedrock of the government, expose his friend/benefactor, and do so without tipping off the most powerful figure in the world in just a few days.

That should be a piece of cake for a comedian/comic actor—any fool would know that.

Acali, Kyrien’s wife, is not content to sit and wait for Kyrien to do the nigh-impossible. She grew up in the lower-class areas of the capitol and thinks she still can find her way around sketchier areas—so she sets out to discover who took Pavi to get him back the more direct way.

The Religion

The first time I read through this, I didn’t pay as much attention to the religion as I should have. It seemed a little better designed than your typical Fantasy religion. This time, I paid it more attention.

It’s essentially a take on the dualism so popular in philosophy and in some religions (including heretical versions of Christianity), a combination of eutheism and dystheism. The Father God is Wrath, the Mother God is Mercy, and the followers of this religion (which don’t, incidentally, include Acali) will cry out to either, depending on the circumstance—while it does appear that many individuals tend to invoke one over the other.

Lockhaven does a fantastic job of laying out this religion in a phrase or two early on, and then seeds references throughout the rest of the text in a subtle way so that it permeates the book—it feels real; people invoking the name of one of the deities doesn’t feel tacked on, but genuine—routine.

We don’t get a lot of detail about the faith—we have no need to, it’s not that kind of book. Just enough to let us know it exists and that it means something.

Why did I pick this up? Why did I keep reading?

I picked this up because I beta read this months ago and wanted to see what it was like in its final form—also, honestly, because it’s a new Lockhaven novel and I’m a sucker for those.

I stuck with it because of the combination of family drama and palace intrigue—plus, I wanted to know how the King got his powers. Okay, sure, I knew already—but that’s why I stuck with the book the first time. This time it was more about seeing the pieces come together for Kyrien. That was super-satisfying.

The Fool

[this feels spoilery, even as I try to make it vague]

It’s an apt title for Kyrien*. Kyrien dedicated his life to his family—first his parents, and then his childhood friends. He sacrifices a lot for those friends, and later gains a wife and son. His relationships with his mentor and cast are familial, too. Theoretically, all he does is for his wife and son, but at some point that starts to slip (as we see in the opening pages).

How this happens, why this happens—is partially understandable. Maybe it’s completely understandable. But it is foolish. He’s gotten complacent, he’s grown comfortable, he’s started (maybe) to buy into his own hype—and his priorities shifted without his notice. And when he does catch a glimpse of that, he doesn’t seize the opportunity to correct it.

The nice thing is that foolishness can be cured. But there’s no guarantee that Kyrien will realize his need for a cure—or that he will in time.

* And maybe a couple of other characters, but let’s stick with the clear example.

So, what did I think about Fool?

There’s just so much that I want to say here. Let’s see if I can keep myself concise.

I’ve read everything that Lockhaven has published. Well, I thought I did, until he mentioned a novel published under a different variation when I interviewed him this week, so I guess I should say every Fantasy novel he’s written. We’re going to have to wait a month or two for me to polish off his works. Regardless—I’ve enjoyed all of them. But this is the best thing he’s written, and it ain’t even close.

There’s a lot going on here beyond just the story of the kidnapping and the search for Vaerain’s power source, and I’d like to blather on about them, but you’d enjoy them more when you encounter them yourself.

There’s not a tremendous amount of action—but when it shows up, Lockhaven nails it. There’s a large-scale battle, there’s some hand-to-hand combat, there’s some magic battles, and some great chase scenes.

But this book lives in the quiet moments, times of introspection and conversations between two or three people. Where people can be honest and vulnerable, or vague, misleading, and maybe manipulative. Lockhaven uses both well to show what’s going on with our characters. While the action scenes show what they’re capable of—these scenes are about why they’re capable of them.

I really like the children’s songs, incidentally. When I picked up The Name of the Wind the next day, I couldn’t help but think of them as I read the children’s songs that Kvothe recounted. In fact, while reading this both times, I drew comparisons to works by Scott Lynch, M. A. Carrick, Christopher Buehlman, M.L. Wuang, and Patrick Rothfuss. With all due respect for Lockhaven—I’m not suggesting he’s quite at the level of all of them yet, but there are elements of this novel that drew on similar themes, characteristics, and ideas. And people who appreciate what those authors were about should find plenty in Fool to appreciate, too.

This is a novel about parenthood and family, of caring for those who don’t have the same kind of power and privilege you do (which can be considered a kind of parenthood and family writ broadly). That’s tucked away in a story about palace politics, intrigue, and danger—with a side order of satire and appreciation for the comic arts.

I strongly urge you to make the choice to pick up Lockhaven’s Fool, to do otherwise would be (forgive me) foolish.

Irresponsible Reader Pilcrow Icon

Fantasy with Friends: Technology in Fantasy

Between a lack of time (one week) and a lack of anything to say (the others), it’s been a while since I participated in one of these. But I have some things to say about this one. I think I do, anyway. Let’s find out.


Fantasy with Friends A Discussion Meme Hosted by Pages Unbound

Fantasy with Friends is a weekly meme hosted by the good people over at Pages Unbound. Fantasy with Friends poses questions each Monday about fantasy, either as a genre as a whole or individual works.

This week’s prompt is:

What role do you think technology should play in fantasy? Some authors try to avoid it (ex. worlds set in an imagined past before modernization or worlds like HP where wizards simply do not use telephones or television even though they have been invented). Yet other authors try to imagine what a world with both technology and magic would look like (ex. The Legend of Korra, Brandon Sanderson’s Mistborn series). Can magic and technology work well together? What questions does an author have to address to make it work?

Urban Fantasy is replete with examples of magic interfering with technology (e.g., The Dresden Files, The Rivers of London), as well as tech and magic both operating just fine together (e.g., Mercy Thompson/Alpha & Omega, InCryptid)–and I’m sure there’s plenty of things to say about them, but I’m not particularly interested in them right now. (there’s a first time for everything, right?)

When I read this prompt a few weeks ago, three books/series jumped to mind as ways to approach this idea. In short–I think the two can work well together just fine, depending on the author’s purpose in mixing them. But it can also be fun when they don’t work together. I’m sure I could also invoke Clarke’s Third Law here, “Any sufficiently advanced technology is indistinguishable from magic,” and do something interesting with that. Maybe I will one day.

The three types of approaches where they work well fall into three categories:
1. Magic and Tech Simply Co-exist. I’m going to submit J.C. Jackson’s Terra Chronicles as our example here. Taking place in a parallel universe to ours, it’s a typical fantasy series in that there’s a lot of magic, elves, halflings, Dark Elves, living next to humans — very standard kind of thing, but their technology matches ours (actually, it’s slightly more advanced). Our primary character is an Elven mage who works as a CSI-like lab tech for the Terran Intelligence Organization (an FBI-like organization). Her strength is in finding ways to use devices to do forensic investigations of magical elements of particular crimes. Some other TIO agents use magic, supernatural abilities, or firearms to apprehend criminals, while relying on tech like ours as tools. Think of Middle Earth post-Industrial Revolution and post-Digital Revolution. It’s the kind of thing that’d make Tolkien cry into his beer, but…

  1. Tech Looks Like Magic. Robert Jackson Bennett’s Shadow of the Leviathan series is our exemplar here. I’m just going to quote from my post about the first book in the series here:
    This is a very technological society, but nothing we’d recognize, really. There are no circuits anywhere, no electricity…horses and carts are the primary means of transportation for those who are going too far or need to go too quickly to walk. But they practice all sorts of engineering feats, genetic manipulation, medical marvels, and so on.

The source of their raw materials? The Leviathans that threaten them all. When these Leviathans die/are killed, the Empire’s scientists harvest blood, tissue, and bone for all sorts of things to accomplish the above. Leviathan bone is difficult to shape, but it results in tools and swords that are beyond the strength and endurance of metal. Tissues can be manipulated and applied to humans to extend their abilities (augmenting strength, enabling them to have memories that are like eidetic memory to the nth power, control of their pheromones to alter the behavior of those around them, and so on).

Especially when it comes to the abilities that some of these people have, or the freakish contamination that the murderer is using, in a Fantasy book featuring people on horseback using swords, this looks like magic.

  1. Magic Fuels the Technology. Blood Over Bright Haven by M.L. Wang leapt to my mind before the others when I saw this prompt–although The Last Rift Dragon by Shami Stovall and Crownfall by Michael Vadney would also work well here. Bright Haven isn’t as technologically advanced as the above worlds, but it’s more advanced than your typical Fantasy work. Now, I won’t talk about the magic at all–you need that on your own. But essentially, power is extracted and brought into the use of the city of Bright Haven. It provides heat, enables kitchens and vehicles to operate, and more. I really should’ve written something about it so that I could quote it here like I did above, because my recollection is so dim that Edison’s first bulb was likely brighter. Oh well. Those who’ve read the book know what I’m talking about, and those who haven’t…well, you should. I thought it was great–and I’m on the lower-end of its fandom.

Of the three, I think there’s more promise for Fantasy novelists here in this third one–SF is leagues ahead when it comes to commenting on our dependence on energy sources and the abuse to people/environment that can come from it. General Fiction and some Crime Fiction is also working on it. But Fantasy doesn’t get into it much–or when it does, it’s things like deforestation or the like. WHich is all well and good–but Vadney and Wang both do a good job of showing what happens when magic is used for the benefit of some, but not all–and can be twisted for destructive ends. Honestly, we need a lot more of that.

Go read some of the other responses to this prompt, they’re likely better thought-out and consider different works/angles.

Irresponsible Reader Pilcrow Icon

Saturday Miscellany—9/12/26

Odds ‘n ends about books and reading that caught my eye this week. You’ve probably seen some/most/all of them, but just in case:
bullet Jonathan Swift v. AI—Dónal Gill’s essay asks: “Three hundred years ago, the satirist warned of a world in which reading and writing are replaced by the flashy simulation of human knowledge. Can he help us fix it?”
bullet What I remember from the last 1,000 books I read—yes, this.
bullet Finding Your Recipe for Literary Comfort Food—Templeton, as per usual, is worth reading. You’ll probably be able to relate.
bullet Is Trope Marketing Ruining Literature?—I think I’ve read a handful of versions of this recently, equally as good, but this one stuck in my memory for some reason, so it gets posted here.
bullet The Publishing Journey – Step 12: The Agony of the ARC —I keep neglecting to share Allyson Johnson’s posts about this process. You should check out Steps 1-11, too.
bullet Books that I’d Love to See as Tabletop Role-playing Games—a fun thought experiment
bullet Children’s Books that Accidentally Teach the Wrong Lessong—should elicit at least a grin or two, maybe a chuckle

My favorite sentence/passage/phrase (or two) that I read this week:
“If I seem to wander, if I seem to stray, remember that true stories seldom take the straightest way.”—The Name of the Wind by Patrick Rothfuss (it was more than difficult to narrow it down to one)

To help talk about backlist titles (and just for fun), What Was I Talking About 10 Years Ago This Week?
bullet A Hundred Thousand Worlds by Bob Proehl—that was such a good one, I should try to fit in a re-read
bullet Mechanical Failure by Joe Zieja—I am apalled (as I’m sure Mongo is) that this series didn’t get more of a following.
bullet The Key to the Coward’s Spell by Alex Bledsoe
bullet And I mentioned the releases of: Children of the Different by S. C. Flynn; Once Broken Faith by Seanan McGuire; Chapel of Ease by Alex Bledsoe; TV (The Book): Two Experts Pick the Greatest American Shows of All Time by Alan Sepinwall and Matt Zoller Seitz; Lady Cop Makes Trouble by Amy Stewart; The Question of the Felonious Friend by E. J. Copperman/Jeff Cohen; MJ-12: Inception by Michael J. Martinez; and Necrotech by K. C. Alexander

This Week’s New Releases that I’m Excited About and/or You’ll Probably See Here Soon:
bullet Of Sorcery and Science by Mike Chen—Chen tries out YA with the novel about a “teen who is The Chosen One in a fantasy realm finds himself a nobody back home–that is, until magic appears in the real world and he must re-enter the portal to save a doomed realm.”
bullet First Chance by Kasey Lansdale—”Chance Kirby isn’t new to detective work, but starting over in Hopeful, Texas, is a big step. Determined to leave behind her father and stepmother’s shadow and carve out a future of her own, she opens a small PI agency, expecting missing heirlooms and marital disputes. But when the cold case of a murdered teenage girl is dropped on her doorstep, Chance finds herself in the middle of an investigation with no leads.” Lansdale’s post on CrimeReads about this is what sold me.
bullet Morfran, Dark Lord Reformed by S.B. West—”Abandoning his days of beheading to live out an undercover retirement as a goat farmer, Morfran finds himself accidentally leading a rebellion against the kingdom’s Dark Lord, who, inconveniently, is him.”

an illustration of text that says 'READING MY BECAUSE I CAN'T SLEEP. CAN'T SLEEP BECAUSE I'M READING MY BOOK. A VICIOUS READER'S CYCLE.' A drawing of a bespeckled caterpillar reading a book while perched on a leaf, the text 'Books Recommendations 2026'
source: Books Recommendations 2026 on Facebook

Fool by K.R. Lockhaven: A Tale of Family, Love, and the Exercise of Power

Cover of Fool by K.R. LockhavenFool

by K.R. Lockhaven

DETAILS:
Publisher: Ashkad Publishing
Publication Date: September 14, 2026  
Format: ARC
Length: 421 pg.
Read Date: September 1-3, 2026

What’s Fool About?

The God-King Vaerain is a generally benevolent ruler—under the broadest definitions of both of those terms, and for those who aren’t on his bad side, things in the kingdom’s capital seem okay. This is definitely the case for his “Fool and Trusted Advisor”—almost his most trusted Advisor—and friend, Kyrien Meras. Not terribly long ago, Kyrien was a prisoner of war with a very short life expectancy, but now he finds himself in a very different position. He’s successful, has no real material concerns, his wife and child enjoy comfortable living—basically, everything’s coming up Millhouse for him.

But there are forces who are not content with Vaerian’s rule. Those who see him as a tyrant and want to see him replaced with something better—there are differences, naturally, in what might be considered the better alternative. But that’s not important for now. What is important is that some of them have decided it’s time to act.

They do so by kidnapping Kyrien’s son, Pavi. They promise to treat him well and not harm him while Kyrien accomplishes a task for them—they want to know the source of the God-King’s magic. If Kyrien can use his position and wits to uncover that source, Pavi is returned. It’s just that simple.

Of course, everyone “knows” that Vaerain was given his powers by the gods Wrath and Mercy—like all his predecessors. All Kyrien has to do is disprove a core tenet of a centuries-old religion, call into question the bedrock of the government, expose his friend/benefactor, and do so without tipping off the most powerful figure in the world in just a few days.

That should be a piece of cake for a comedian/comic actor—any fool would know that.

Acali, Kyrien’s wife, is not content to sit and wait for Kyrien to do the nigh-impossible. She grew up in the lower-class areas of the capitol and thinks she still can find her way around sketchier areas—so she sets out to discover who took Pavi to get him back the more direct way.

The Religion

The first time I read through this, I didn’t pay as much attention to the religion as I should have. It seemed a little better designed than your typical Fantasy religion. This time, I paid it more attention.

It’s essentially a take on the dualism so popular in philosophy and in some religions (including heretical versions of Christianity), a combination of eutheism and dystheism. The Father God is Wrath, the Mother God is Mercy, and the followers of this religion (which don’t, incidentally, include Acali) will cry out to either, depending on the circumstance—while it does appear that many individuals tend to invoke one over the other.

Lockhaven does a fantastic job of laying out this religion in a phrase or two early on, and then seeds references throughout the rest of the text in a subtle way so that it permeates the book—it feels real; people invoking the name of one of the deities doesn’t feel tacked on, but genuine—routine.

We don’t get a lot of detail about the faith—we have no need to, it’s not that kind of book. Just enough to let us know it exists and that it means something.

Why did I pick this up? Why did I keep reading?

I picked this up because I beta read this months ago and wanted to see what it was like in its final form—also, honestly, because it’s a new Lockhaven novel and I’m a sucker for those.

I stuck with it because of the combination of family drama and palace intrigue—plus, I wanted to know how the King got his powers. Okay, sure, I knew already—but that’s why I stuck with the book the first time. This time it was more about seeing the pieces come together for Kyrien. That was super-satisfying.

The Fool

[this feels spoilery, even as I try to make it vague]

It’s an apt title for Kyrien*. Kyrien dedicated his life to his family—first his parents, and then his childhood friends. He sacrifices a lot for those friends, and later gains a wife and son. His relationships with his mentor and cast are familial, too. Theoretically, all he does is for his wife and son, but at some point that starts to slip (as we see in the opening pages).

How this happens, why this happens—is partially understandable. Maybe it’s completely understandable. But it is foolish. He’s gotten complacent, he’s grown comfortable, he’s started (maybe) to buy into his own hype—and his priorities shifted without his notice. And when he does catch a glimpse of that, he doesn’t seize the opportunity to correct it.

The nice thing is that foolishness can be cured. But there’s no guarantee that Kyrien will realize his need for a cure—or that he will in time.

* And maybe a couple of other characters, but let’s stick with the clear example.

So, what did I think about Fool?

There’s just so much that I want to say here. Let’s see if I can keep myself concise.

I’ve read everything that Lockhaven has published. Well, I thought I did, until he mentioned a novel published under a different variation when I interviewed him this week, so I guess I should say every Fantasy novel he’s written. We’re going to have to wait a month or two for me to polish off his works. Regardless—I’ve enjoyed all of them. But this is the best thing he’s written, and it ain’t even close.

There’s a lot going on here beyond just the story of the kidnapping and the search for Vaerain’s power source, and I’d like to blather on about them, but you’d enjoy them more when you encounter them yourself.

There’s not a tremendous amount of action—but when it shows up, Lockhaven nails it. There’s a large-scale battle, there’s some hand-to-hand combat, there’s some magic battles, and some great chase scenes.

But this book lives in the quiet moments, times of introspection and conversations between two or three people. Where people can be honest and vulnerable, or vague, misleading, and maybe manipulative. Lockhaven uses both well to show what’s going on with our characters. While the action scenes show what they’re capable of—these scenes are about why they’re capable of them.

I really like the children’s songs, incidentally. When I picked up The Name of the Wind the next day, I couldn’t help but think of them as I read the children’s songs that Kvothe recounted. In fact, while reading this both times, I drew comparisons to works by Scott Lynch, M. A. Carrick, Christopher Buehlman, M.L. Wuang, and Patrick Rothfuss. With all due respect for Lockhaven—I’m not suggesting he’s quite at the level of all of them yet, but there are elements of this novel that drew on similar themes, characteristics, and ideas. And people who appreciate what those authors were about should find plenty in Fool to appreciate, too.

This is a novel about parenthood and family, of caring for those who don’t have the same kind of power and privilege you do (which can be considered a kind of parenthood and family writ broadly). That’s tucked away in a story about palace politics, intrigue, and danger—with a side order of satire and appreciation for the comic arts.

I strongly urge you to make the choice to pick up Lockhaven’s Fool, to do otherwise would be (forgive me) foolish.

Irresponsible Reader Pilcrow Icon

Cover Reveal: Origin by Simon Bullock

I’m very pleased today to welcome the Write Reads’ Cover Reveal for Simon Bullock’s Origin! I posted a spotlight on book one of the Gate Origin Series, The Driftborn, recently–and it has a nice cover. Bullock’s next one is just as cool.

I’ll show you this cover below, but first let’s learn a little bit about the book and author, shall we? It’ll just take a moment, and then we can all take a peak at the cover.

About the Book:

Kade Renn and the crew of The Moth have crossed the ancient gate and reached Origin — the dead world at the centre of the network.

They arrive damaged, low on air and cut off from the route behind them. Lira’s breathing system is failing. Vessa is wounded. Nix is carrying heat he cannot shed. And beneath Origin’s ruined surface, old machinery is still responding.

What they find is more dangerous than an abandoned world.

Human field stations. Hand-written warnings. Records from the First Crossing. Evidence that people objected before the first disasters — and that those objections were altered, buried or removed from the history that followed.

The Quiet War did not begin the way the Directorate says it did.

Far behind them, Marshal Sorr is tightening a containment net around the damaged route. If it closes, Origin may be sealed again.

Kade does not need to save the galaxy.

He needs to keep his sister breathing, keep The Moth alive, and carry enough of the truth home that no one can bury all of it again.

Some doors weren’t lost.

They were locked.

 

Pre-Order Links:

Amazon UK ~ Amazon US

 

About the Author

Simon BullockSimon Bullock is a British-born author living in the Netherlands. He writes psychological thrillers, historical fiction and speculative novels with a focus on believable characters, emotional tension and dark, understated humour. His work often explores ordinary people under pressure, hidden truths, and the consequences of systems that fail the people inside them. He also writes selected speculative fiction under the pen name Richard Randon.

and now…

The Cover

Cover for Origin by Simon Bullock

The Complete Cover Wrap:
Cover Wrap for Origin by Simon Bullock
Click to embiggen the wrap and take it all in.

Be sure to hit a pre-order link above so you can enjoy what lies beyond the cover!

Irresponsible Reader Pilcrow Icon

Highlights from August: Lines Worth Repeating

Under a picture of someone highlighting lines in a book, the words: 'Highlights of the Month: Lines Worth Repeating'
This one seems a little longer than usual, but that says more about the month’s reading than it does my self-control.

Cover of Detained by D. Esperanza and Gerardo Iván Morales

Detained by D. Esperanza and Gerardo Iván Morales

Ever since this morning, I’ve been thinking a lot about a story in the Biblia that Padre Juan talked about at church once in Naranjito. It’s about a man who gets beat up and thrown in a ditch by a gang, just like what happened to Damian. He’s hurt and lying in this ditch, and a priest walks past without helping him, because it’d be too much work or he’s afraid it’s a trap or he doesn’t want to get his clothes bloody or whatever. The man only gets saved when a buen Samaritano stops to help him. In a way, even though the priest didn’t do anything, he was just as bad, or almost as bad, as the gang that beat the man up. Padre Juan says the priest in the story was bad because he didn’t do anything. I thought it was interesting that Padre Juan told us about it, even though the bad person is a priest like him.

The point is, there are two ways you can hurt people. You can hurt a person actively, like by punching them or stealing from them or whatever. But you can also hurt a person passively, by refusing to give them help when they need it, or by pretending you don’t see them, or by acting like they don’t exist.

Since leaving Naranjito, there have been a few adults who have tried to hurt me actively—like the hombres del cartel who shot at us while we were riding La Bestia, or the pissed-off Migra guys who put me and my cousins in a refrigerator to freeze half to death. And all that was horrible, obviously. But in a way, when someone hurts you actively, the damage is mostly just physical. Back home, gangs are a fact of life, and even though I was always lucky—I was never directly targeted until the cartel chased me off La Bestia—there’s always a risk that someone will hurt you in an active way. But that doesn’t give me this horrible, whole-body feeling of worthlessness. In Naranjito, I never saw anyone get passively hurt. I’m sure some kids had parents and family who were bad to them, but in some ways, anyone’s kids were like everyone’s kids. If a kid was hungry, obviously it was their parents’ job to feed them, but if their parents were missing for some reason, the rest of the pueblo wouldn’t just let the kid starve to death.

Since crossing the border though, until breakfast this morning, I don’t think a single adult in los Estados Unidos would have cared if I’d starved. In los Estados Unidos, the passive pain has been the worst feeling of all. Passive pain is a little harder to explain than active pain, but I’ll try;

It hurts in a different way. The adults who have tried to actively hurt me aren’t as bad as all the adults who stand around, seeing what’s happening doing nothing. Looking bored. This has been everywhere since I got to el Norte. There have been a million examples: the woman behind the desk at oficina de la Migra who called Papa and filled out my registration on her computer before her buddies in green uniforms stuck me in a refrigerator. The bus drivers who shuttled me and a vehicle full of innocent kids from one kind of jail to another and never stopped to ask what we did to deserve this, why we weren’t in school, why we weren’t with our parents, why we were crying, why we were dirty, why my foot was oozing blood and pus and stinking up the entire bus like roadkill. The servers in the cafeteria who see this food is making us sick but won’t do anything about it, who won’t let us grab another box of Frosted Flakes. The worst of all are the tichers, these useless tichers who call us by our bed numbers, these grown-ups who speak fluent English and could really do something to help us, but who just stand around looking tired and annoyed while kids like me are kept from our parents for no reason, tichers who don’t sound any alarms when nine and ten-year-olds are passing out on the campo de futbol because they’re afraid to drink water, because they’re afraid to use the bathroom.

Sometimes it makes me want to grab a piece of cardboard and write I’m a kid, do something on it. It makes me want to grab a megaphone and scream “I’m a person! I’m supposed to matter!” But more often, it makes me wonder if maybe I don’t matter, it makes me want to collapse, it makes me want to give up, it makes me want to melt into my bunk, it makes me want to climb down the porta-potty pit and dissolve in the chemicals. Ir makes me never want to look anyone in the eye again.


Cover of Me, Myself, and Bob by Phil Vischer

Me, Myself & Bob by Phil Vischer

We were a very religious family–did I say that already? Well, it’s true. My mother was not allowed to work, or even swim on Sundays, and could not play cards at any time–with the exception of Rook, because as far as I can tell, it’s the card game that Jesus’ disciples played while waiting for the Holy Spirit to descend on Pentecost.

When I was about twelve years old, I took my grandfather to see the first movie he had seen since his rebellious college years, The Jesus Film. He fell asleep about halfway through, though, because he’d already read the book and he knew how it ended. To this day, my grandfather will not step foot into a movie theater, although he did make an exception, when our Veggie Tales movie, Jonah came out in theaters in 2002. I’m pretty sure he fell asleep halfway through that one, too–he’s exceptionally good at falling asleep.


Cover of Eaters of the Dead by Michael Crichton

Eaters of the Dead by Michael Crichton

…he laughed and said, “You Arabs always wish to have reasons for everything. Your hearts are a great bursting bag of reasons.”
I said, “And you do not care for reasons?”

“It avails you nothing. We say: A man should be moderately wise but not overwise, lest he know his fate in advance, he man whose mind is most free of care does not know his fate in advance.”

…there is no fear greater than that of a man when he does not know the cause.

Herger rode alongside me and said in a soft voice, “How do you fare?”

Not being capable of concealing my emotion, I said to him, “I am afraid.”

Herger replied to me: “That is because you think upon what is to come, and imagine fearsome things that would stop the blood of any man. Do not think ahead, and be cheerful by knowing that no man lives forever.”

I saw the truth of his words. “In my society,” I said, “we have a saying which is: ‘Thank Allah, for in his wisdom he put death at the end of life, and not at the beginning.’”


Cover of The Wednesday Witches Book Club by Sarah Beth Durst

The Wednesday Witches Book Club by Sarah Beth Durst

Genevieve Durand was one of those put-together people who looked as if she’d never, ever dripped marinara sauce on her shirt.

She’d thought his youthful enthusiasm was endearing for a bunch of years, until she finally realized it had cured into immaturity.

“I think it makes us less alone. That’s what stories do, after all. They connect us. And that’s what magic does. It brings us together.”


Cover of Cursed Cocktails by S.L. Rowland

Cursed Cocktails by S.L. Rowland

“I’d say your situation has never been better. Avoiding the constant threat of death and dismemberment will do wonders for one’s lifespan.”

“Endings are a reward in themselves. Only then can you look back on the journey.”

“There may be a beer for every occasion, but there is a wine for every mood.”


Cover of Deadly Does It by Abbi Waxman

Deadly Does It by Abbi Waxman

“Mason needs gentle handling, and I don’t know if he has the finesse.”

“She’s a delicate flower?” Julia’s tone was incredulous.

“No,” said Will, “she’s a hand grenade.”

“Prison’s very dull, apart from the all-pervading fear of violence and the occasional bug in the food. Trust me, you’d hate it, not because it’s scary, but because it’s skull-crushingly boring.”

“I have no intention of going to jail.”

Julia laughed. “No one intends to go to jail, Mason, yet there they are.”

“I think I can still write by hand, but on the few occasions I have to, it looks like a centipede has done two lines of coke, stepped in a tiny pot of ink and scrambled across the page in a hurry to get to somewhere else. Not exactly legible.”

There was a pause.

“Thanks for the colorful image, Mason,” said Julia, “no sure who would sell a centipede the minuscule amount o¢ drugs they could take, but your rich and vivid imagination will eventually come in handy, I expect.”


Cover of The Wizard Who Kept Himself Suspicious by Scott Lynch

The Wizard Who Kept Himself Suspicious by Scott Lynch

He knew himself to be disheveled. Had no notion of what it must be like to be sheveled in the first place.

Wizards as a group loved many things, but a conspicuous waste of expensive resources was near the top of the list.

“If I am wrong about this, then there is no sense in listening to anything else I might say, because it would reflect a misunderstanding so profound as to necessitate my retirement from sharing my thoughts with other people.”


Cover of Crownfall by Michael Vadney

Crownfall by Michael Vadney

“Why help me?”

“Because you needed help, and I could give it,” Jelert said.

“That’s it?” Kyndel pressed. “No one gives something ‘or nothing,”

Jelert met his gaze. “When the world is hells-bent on tearing itself apart, I’d rather spend my efforts trying to hold it together, even if it’s just for one person at a time.”

Kyndel snorted, the sound ragged and bitter, “That’s the stupidest thing I’ve ever heard,” he muttered.

“Maybe it is.” A faint, sad smile crossed Jelert’s face. “But it’s better than standing by, or worse, joining in.”

“Heroes die young and leave messes. You are something better—you’re a survivor. You’re protecting your people. You’re giving them hope. That’s what leaders do.”


Cover of Battle of the Round House by Tananarive Due

Battle of the Round House by Tananarive Due

This long journey felt more like reaching the gingerbread house in “Hansel and Gretel,” meant to be a treat but full of danger instead.


Cover of The Cairndale Orphan by J. M. Miro

The Cairndale Orphan by J. M. Miro

The human heart contains rooms within rooms, none of them empty. Knowing this had made him good at his job. That job was murder, and he’d been in the business of it at Scotland Yard for twenty-five years, and if anyone asked, he’d tell them he’d seen most anything there was to see.

She was true the way a well-cut board was true, straight and direct and strong. He admired that about her.

She had a kindness for the broken things of this world, maybe because she was one of them too.
Like he was.
Hell, like everyone was, really.

“Mr. Bromley, it’s not a good idea to bring the dead and the living together. Not on purpose. We’re supposed to be apart.”


Cover of Dial A for Aunties by Jesse Q. Sutanto

Dial A for Aunties by Jesse Q. Sutanto

Now we know, when it comes to fight or flight, I am neither. I am: freeze like a hamster and then melt into a useless shivery puddle.

Big Aunt sends a string of emojis that seem completely unrelated to each other instead of an actual response.

Whoever introduced my mom and aunts to emojis needs to be thrown off a tall building. Ever since they found out about emojis, my mom and her sisters think they’re a perfectly acceptable way of communicating. Except everyone has a slightly different interpretation of emojis, and it takes me about three times as long to figure out exactly what they’re trying to say. Like now, for example, the thumbs-up emoji means everything is okay, which is good, but then why is there an angry face emoji right next to it?

“Easy,” Big Aunt sniffs, shaking her head. “I don’t think it’l be that easy.”

“Why not?” Second Aunt says, raising her chin,

Big Aunt shrugs. “Because it’s never easy. Otherwise people would get away with murder all the time.”

I wince at the word “murder,” even though she said it in Mandarin. And even though I want to have faith in Second Aunt’s simple plan of “get there, find cooler, bring cooler back,” I have a feeling that Big Aunt is right. When it comes to hiding a dead body, it’s never simple—a lesson I’m quickly learning from the previous night.

“Meddy is probably cautious because last time when you tried to set her up with Wang Zhixiang’s son, he turned out to be, you know,” Fourth Aunt says.

Ma waves an irritated hand. “Why do you keep bringing up Zhixiang’s son? So he turned out to be some maniac. How was I supposed to know?”

“Kleptomaniac,” I mumble. By the time our date was over, he’d stolen my makeup bag from my purse and, somehow, one of my shoes. I mean, the guy’s an asshole, but you’ve gotta give it to him. Or let him steal it.


Cover of Cold Iron Task by James J. Butcher

Cold Iron Task by James J. Butcher

Finally, he unfurled himself from the vehicle, standing to his looming height. Even more than usual, he looked like the most grim of reapers. Albeit one that had exchanged its robes and scythe for an out-of-fashion suit and less-than-moderate alcoholism.

Something about this place was almost familiar—like an artistic rendering of an old nightmare he had forgotten and had worked hard not to remember.

Wudge looked past Grimsby to the fortress stairs and shuddered. “Half-witch going to get killed trying to help people. Trying to help Wudge.”

Grimsby shrugged. “Maybe. But maybe that’s not the worst way to go.”

“They’re all the worst way.”

“I hope so,” Grimsby said.

“I know you do. Your hope is surprisingly resilient.”

“Thanks.” He smiled. “I made it myself.”

“I need a witch’s help to make sure I don’t get my head torn off by an arachne or some such.”

“Are—are those real?” Grimsby asked hesitantly.

Mayflower looked over out of the corner of his eye. “Hell if I know; just don’t let one take my head off. Deal?”

“No arachne-ing from the neck up. Got it.”

“The neck down would be nice, too.”

“I’m only one man, Les.”

“Fair enough.”

“Hey,” Mayflower said, stopping and locking down Grimsby’s eyes with his own. “You good?”

“Fine.”

“No. No ‘fines’ between us, boy. That good-for-nothing answer could get one of us killed.” His mossy granite eyes didn’t move, but he tilted down his shaded glasses. “Are you good?”

“Honestly?” he asked.

“Always,” Mayflower said.

“Well, seeing as how we’re sort of at the intersection of two of my most prevalent traumas, no. I’m not good. I want to run away screaming. I want to go home, and on my way home, stop by the mattress store and order a bed with the fastest shipping possible so that, by the time I get back, I’ll have something to hide under.”


Cover of The Last Rift Dragon by Shami Stovall

The Last Rift Dragon by Shami Stovall

“Excited for the egg assignment today?” Zilvio coaxed the first sparks into flame.

“Excited,” I said. “Or nervous. I haven’t decided yet.”

Zilvio met my gaze. “The two are often the same thing at your age, Master Richter. It is how one carries them that makes the difference.”

Once we left the light, the darkness swallowed us whole. It was difficult to see anything. More than once, we tripped over the vegetation. Branches found their way to our face as though this forest had a sense of humor.

When I looked over my shoulder, I spotted four archers on the bone wall, firing at me. They used simple bows, and their aim was atrocious. They compensated for their poor skill with extremely fast shots, though.


Cover of The Dungeon Anarchist's Cookbook by Matt Dinniman

The Dungeon Anarchist’s Cookbook by Matt Dinniman

Kids aren’t always a product of their parents. But sometimes that doesn’t matter. Sometimes parents can cast a shadow so thick, you can drown in it.

I thought of what the late [redacted] had said to me, about being responsible for someone else. You don’t understand what that responsibility means, what a weight that is on your shoulders. And when you fail, it’s like being crushed, constantly crushed, only you don’t die. And the pain never stops. It just keeps coming and coming.

None of this made sense, but we were alive, for now at least, and we had each other, and that was something.

“What’s a prime number?” Donut asked, speaking for the first time. “It’s a math thing,” I said. “You learn about them in fourth or fifth grade, and then you don’t need to know about it ever again unless you become a mathematician. Or a math teacher.”

“I wasn’t just going to abandon you, Carl,” Donut said. “Who do you think I am? Miss Beatrice?”

“No,” I agreed. “You most definitely are not.”


Cover of Ms. Mebel Goes Back to the Chopping Block by Jesse Q. Sutanto

Ms. Mebel Goes Back to the Chopping Bloc by Jesse Q. Sutanto

For a while, the only sounds in the room are Mebel’s sniffles. They don’t last long–they never do–Mebel doesn’t have the kind of attention span a good, long crying session quires.

Mebel has always thought of Paris with two exclamation marks following it. It’s never just Paris. It’s Paris!! Land of beauty and romance and dreams. When she thinks of London, she takes away one of the exclamation marks. London! Not as magical as Paris, but exciting in its own way.

It happens on a Thursday. Which feels doubly offensive, because all bad news should arrive on a Monday–everyone knows that.

But no, this piece of bad news not only has the audacity to swoop in on a Thursday, but also has the cheek to come in parading as good news.


Cover of Wool by Hugh Howey

Wool by Hugh Howey

Deputy Marnes would have liked to have seen this, she decided. He was an easy man to figure, one of those who had grown old everywhere but in his heart, that one organ he had never worn out because he’d never dared to use it.


Cover of The Road to Tender Hearts by Annie Hartnett

The Road to Tender Hearts by Annie Hartnett

“My dad always said a person needs three things to be happy: something to do; someone to love; and something to look forward to.”

“They’re not, Dad. Kids aren’t resilient. That’s something adults like to say to make themselves feel better. To pretend that kids don’t feel as deeply as adults do. But kids are everything that happens to them. They’re sponges. Everything bad, everything good. Every hurtful thing you say. Every loving one.”

The cat was amused at these two idiot humans talking about how unfair death is, when it’s one of the few things everyone gets. Death is a magnificent invention, the cat knew, because it’s the impermanence of life that makes it beautiful.


Cover of The Killer's Mark by M.W. Craven

The Killer’s Mark by M.W. Craven

Cowie House was the weirdest building he’d ever worked in. It was a four-storey townhouse on the cobbled part of Fisher Street in Carlisle’s historic quarter, equidistant between the Kings Head — which Poe liked — and the Quaker Meeting House, which he wasn’t yet sure about (they seemed nice enough, but they got really upset if you used their car park without permission). It was a rickety old building, hotter than a jalapeño’s armpit in summer, colder than a polar bear’s toilet seat in winter. An eddy-like wind whistled through it at a whim, hurling into the air any paper that wasn’t weighted down. The floors were so uneven you got weird muscles in your lower legs keeping your chair still, and the staircase was so wonky it could only have been designed by a drunk.

Poe loved it.

If Cumbria was a week-old slice of bread, Carlisle would be the big green splat of mould in the middle. The kind that made you question the whole loaf. The antibiotic breakthrough waiting to happen. Surrounding the big green stinky splat would be the lesser moulds. The spores, the bluey-green spots with white edges. Some the size of pinheads, others the size of mouse turds. You wouldn’t throw away the loaf because of the mouse-turd spores, but you’d definitely pick them off. You might sniff the slice and say, ‘Maybe we should toast this?’

Even for Carlisle, Esmerée Blue stood out. She was fifteen years old and she had a nose ring, an eyebrow ring and a lip ring. Her ear had so many holes she could have used it as a sieve. Her make-up was French-clown white; her hair was black and purple and styled like she was in a Japanese cartoon. She wore scuffed DMs, ripped jeans and a Green Day hoodie. She looked like a cross between Siouxsie Sioux and Lisbeth Salander. And she didn’t give a rat’s ass.

Bradshaw reached over and patted Esmerée on the head. ‘Don’t worry, Esmerée; Poe will find out [redacted].’

‘How? [redacted].’

‘By doing what he usually does — upsetting people until they try to kill him.’

Poe nodded. He’d never intended it to work out that way, but he seemed to have a knack for provoking extreme responses.


Cover of Everybody Wants to Rule the World Except Me by Django Wexler

Everyone Wants to Rule the World Except Me by Django Wexler by Django Wexler

I’ve always wondered where all the dragons were at. It seems like there should be dragons, dragons go with the whole post-Tolkien/Arthuriana/D&D fantasy zeitgeist like orca and Dark Lords and knights in shining armor. The Kingdom has legends about dragons, but they always take place in Olden Times, and in the modern days, giant flying reptiles are nowhere to be found. In the thousand years I’ve been kicking around, I’ve never seen a dragon. I might have even, from time to time, expressed the sentiment that I wanted to see one, or that getting eaten by a dragon would be a good death to add to my extensive catalog.

Right about now, I profoundly wish I could take those thoughts back.

“I know what I’m doing.”

Tsav rolls her eyes. “What in the course of our relationship could possibly give me that impression?”

I snort. “You know what, fair.”


(Image by DaModernDaVinci from Pixabay)

Parks and Rec by Jennifer Keishin Armstrong is worth at least 4,999 Candles in the Wind

Cover of Parks and Rec by Jennifer Keishin ArmstrongParks and Rec:
The Underdog TV Show That Lit’rally Inspired a Vision for a Better America

by Jennifer Keishin Armstrong

DETAILS:
Publisher: Dutton
Publication Date: April 7, 2026
Format: Hardcover
Length: 268 pg.
Read Date: August 13-28, 2026
Buy from Bookshop.org Support Indie Bookstores

What does the Dust Jacket Flap Say About Parks and Rec?

More than fifteen years after Parks and Recreation premiered, it has become a streaming staple. It’s beloved for its jokes, characters, and expressions—the show even created a now widely observed holiday, Galentine’s Day. How did it all happen and how did the show transform from a ratings disappointment into a cult classic? Pop culture historian Jennifer Keishin Armstrong reveals all this and more in the authoritative history of the show, which is as full of humor, optimism, and heart as Parks and Recreation itself.

Through new and exclusive interviews, as well as deep insight and smart and entertaining pop culture analysis, Armstrong tells the story of how Parks and Recreation came to be: how it grew from The Office’s success and Obama-inspired optimism, how producers assembled one of TV’s most lovable casts but barely survived a mediocre first season, how the show found its voice by getting more political and more romantic, and how it became a cultural force despite middling ratings during its network run, going on to become a television savior of the Trump era and a modern classic.

Lovingly told and deeply researched, Parks and Rec is the ultimate history of the show that taught us what’s important in life: friends, waffles, and work.

The Heart of the Book

The subtitle tells the reader what to look for: “The Underdog TV Show That Lit’rally Inspired a Vision for a Better America.” But it’d be clear without that. The Introduction, as it should, points you in the right direction, but the ninth chapter, “‘A Singularly Compelling Representation of the Liberal Spirit’: Political Philosophy in Parks and Rec,'” is Armstrong cutting loose and saying most of what she wants to say about the show, what she’s been slipping in here and there throughout.

The final chapter, “‘Rupture and Repair’: Parks and Rec Meets the Modern Moment,” comes close to that—it focuses on the lasting impact of the show, the popularity on streaming (especially during the pandemic years of 2020/2021), as well as the brief reunion show during the early days of the pandemic.

It felt to me that these two chapters were what Armstrong really wanted to talk about, and she did the rest of the research and writing as an excuse to get them on paper. I’m sure that’s not true, but it really felt that way to me. Honestly, I’d have taken more of Chapter 9—either as a lengthier chapter or with a follow-up chapter on a similar theme. One, because they did seem like Armstrong’s voice and perspective came out clearer there than in the other chapters—but also because I think she probably had more to say on the topic.

My one question about it, however, is the placement. After a few chapters focusing on the individual seasons, we cut away for a look at the political philosophy—before returning for the last two seasons. It was jarring to be taken out of the BTS of the seasons for this discussion, and then jarring to go back to it. There’s a little overlap with the themes of the chapters on either side of it, but it wasn’t enough for me to feel comfortable. It also seems like a good wrap-up chapter before the last chapter.

The One Drawback

Armstrong—as I’m sure she was trained to do—keeps the prose straightforward and fairly dry. Yes, it’s clear that she loves the show, knows a lot about it (probably before her research, too), and appreciates the humor.

But none of that humor comes through. Compare that to What’s Next, about The West Wing (a drama), the authors are joking throughout—about the actors, the characters, stories/scenes. But this book about a comedy? Outside of the foreword, it’s practically without humor (it might even be more than practically, but I might have forgotten a little)

Although, if you really want all that, you can check out Jim O’Heir’s Welcome to Pawnee.

The Foreword

I don’t want to say too much about Nick Offerman’s foreword other than it’s possibly the best one I’ve read this year. It’s funny and heartfelt—it’s everything a fan wants to read a cast member from a beloved show say about that beloved show.

So, what did I think about Parks and Rec?

This was a strong and loving tribute to the show, the spirit of the show, and the ideals it was built on. What Armstrong gained from the interviews and relayed was great. Sure, some of it differs from, if not downright contradicts, what I’ve heard in interviews with various cast members—but that probably says more about the cast’s individual memories than it does Armstrong’s work. (it’s probably safer to believe her version)

One of the primary things I judge a book about a TV show on is: does it make me want to watch the show? Yes, yes it does. Granted, almost anything does—but this book really made me want to pull out my Blu-Ray box set and ignore the world for a couple of days.

I gained a greater appreciation for a lot of what the writers and actors were trying to accomplish; I loved some of the BTS material about episodes/scenes that mean a lot to me. And hearing about the appreciation that the cast had for each other, that guest stars had for their experiences, and that the writers and crew had for the project, just made me enjoy it all the more.

If you’re a fan of the show—or think you should be one—grab this.

This post contains an affiliate link. If you purchase from it, I will get a small commission at no additional cost to you. As always, the opinions expressed are my own.
Irresponsible Reader Pilcrow Icon

WWW Wednesday—September 9, 2026

I had three other posts almost ready for today, but a non-blog project took more of my time than I expected, so this was all I could finish.

I know–gasp!–I do things that aren’t for this?

WWW Wednesdays Logo

This meme was formerly hosted by MizB at A Daily Rhythm and revived on Taking on a World of Words—and shown to me by Aurore-Anne-Chehoke at Diary-of-a-black-city-girl.

The Three Ws are:
What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

Seems easy enough, right? Let’s take a peek at this week’s answers:

What are you currently reading?

Cover of The Name of the Wind by Patrick Rothfuss Cover of He Who Fights with Monsters by Shirtaloon
The Name of the Wind
by Patrick Rothfuss
He Who Fights with Monsters
by Shirtaloon, read by Heath Miller

I’ve read some great things this year, some books that could likely become favorites after a re-read or two (and I’m planning on those). But I don’t know if anything has touched the levels of enjoyment and contentment that I’ve felt revisiting The Name of the Wind. I’ll probably finish it this evening, and I regret it.

He Who Fights with Monsters is entertaining and engaging, and I don’t plan on DNFing it (although being told by someone that the book gets really good right before the end isn’t unwelcome news). At this time, I can’t see myself spending another 12 books in this world or with this protagonist.

What did you recently finish reading?

Cover of Fool by K.R. Lockhaven Cover of Gods & Comics by Kat Cho
Fool
by K.R. Lockhaven
Gods & Comics
by Kat Cho, read by Greta Jung

One of the things that didn’t get finished today was my post about Fool, but it’ll be very favorable. Come back for it.

Cho’s book was fun. I’m not sure I have much more to say about it than that.

What do you think you’ll read next?

Cover of The Henchperson's Guide to Unionizing by Marshall J. Moore Cover of Dead Inside by Noelle Holten
The Henchperson’s Guide to Unionizing
by Marshall J. Moore
Dead Inside
by Noelle Holten, read by Rachael Beresford

A little scary, a little silly…Moore’s book looks like a good palate cleanser after a couple of more serious Fantasy novels in a row.

Holten’s first novel really disturbed me, so it makes sense that I’ve kept kicking the audiobook down the road instead of listening to it. But, I’m getting annoyed with myself for that, so here goes.

How’re you doing? What’s your reading like?

HC Chats with K.R. Lockhaven About ALL of His Books and some other stuff

I sat down yesterday to talk to the wonderful K.R. Lockhaven about his upcoming novel Fool (you can check out the Cover Reveal here to learn a little more about the book). But before we got to that, we took a little walk down Amnesia Lane to talk briefly about his previous novels/novella.

Lockhaven is a frequent guest around these parts in written form, and I’ve written something about all of his books, but it’s better hearing it right from the source, right? We talked about a few other things and then rolled our eyes at my inability to find the mouse to end recording—at his prompting, I’m sticking with my “Do Not Edit” policy for these videos. So you can roll your eyes at my ineptitude along with me.

I forgot to talk to him about how odd it must feel to have such a brief title for the first time, and (more importantly) the Washington State Council of Firefighters Burn Foundation, sponsors of Camp Eyabsut. Go to his website to learn more about that.

The Books discussed were:

bullet The Conjuring of Zoth-Avarex: The Self-Proclaimed Greatest Dragon in the Multiverse
bullet Zoth-Avarex’s Escape Plan: A Pick-Your-Own-Path Experience
bullet The Marauders, the Daughter, and the Dragon (The Azure Archipelago, Book 1)
bullet The Foundling, the Heist, and the Volcano (The Azure Archipelago, Book 2)
bullet The Grimoire, the Gods, and the Girl (The Azure Archipelago, Book 3)
bullet Mrs. Covington’s
bullet Fool

Irresponsible Reader Pilcrow Icon

Page 1 of 629

Powered by WordPress & Theme by Anders Norén